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Theodosii Spassov<br />
Theodosii Spassov je na kaval, tipično<br />
bolgarsko pastirsko piščal, pričel igrati v<br />
Glasbeni šoli Kotel. Študij enega najstarejših<br />
inštrumentov v Evropi, ki navdušuje z<br />
bogatim zvokom in neomejenimi tehničnimi<br />
možnostmi, je nadaljeval na bolgarski<br />
Akademiji za glasbo in ples v Plovdivu.<br />
Spassov je z mešanjem tradicionalne bolgarske<br />
folk glasbe z jazz, fusion in klasično<br />
glasbo razvil edinstven stil igranja. V<br />
zadnjih dveh desetletjih je Theodosii na<br />
glasbenih turnejah prepotoval vso Evropo,<br />
Azijo, Bližnji Vzhod, Avstralijo, Kanado<br />
in ZDA. Leta 1994 je nastopil z Ženskim<br />
radijskim zborom Sofija, ki je za posnetek<br />
Le Mystere Des Voix Bulgares prejel<br />
prestižno nagrado grammy. Leto kasneje<br />
ga je revija Newsweek oklicala za enega<br />
najbolj talentiranih Vzhodnoevropskih<br />
glasbenikov, ki mu je »v postkomunističnem<br />
kulturnem opustošenju uspelo<br />
iznajti nov glasbeni žanr«.<br />
Theodosii Spassov began his early training<br />
on the caval at the Kotel Music School<br />
and The Academy of Music and Dance in<br />
Plovdiv/Bulgaria. The caval, an eight-hole<br />
wooden “shepherd” flute, is one of the oldest<br />
instruments in Europe, rich in tone and<br />
technical possibilities. Theodosii Spassov<br />
has developed his own unique style of<br />
playing the instrument by synthesizing<br />
traditional folklore with jazz, fusion and<br />
classical music. For over 20 years, he has<br />
toured all over Europe, Asia, the Middle<br />
East, Australia, Canada and United States.<br />
In 1994, he performed with Sofia Women’s<br />
Radio Choir which was awarded with a<br />
Grammy Award for “Le Mystere Des Voix<br />
Bulgares”. In April 1995, Newsweek magazine<br />
recognized Theodosii Spassov as one of<br />
the most talented Eastern–European musicians<br />
in its “Best of the East” article, noting<br />
that “Spassov … is not merely surviving the<br />
post-communist cultural wasteland. He has<br />
actually invented a new musical genre.”<br />
Atle Sponberg<br />
Atle Sponberg je študiral violino pod<br />
mentorstvom Isaaca Schuldmana na<br />
Norveškem konservatoriju in pod mentorstvom<br />
Hermana Krebbersa v Amsterdamu.<br />
Udeleževal se je mojstrskih tečajev,<br />
ki so jih vodili Isaac Stern, Shlomo Mintz,<br />
Henryk Szeryng in Mstislav Rostropovič.<br />
Sponberg je vodja Orkestra norveškega<br />
radia, pogosto pa pod njegovim vodstvom<br />
nastopa tudi Norveški komorni<br />
orkester. Nastopil je na recitalih in festivalih<br />
komorne glasbe širom Evrope, med<br />
drugim z glasbeniki kot sta Lars Anders<br />
Tomter in Truls Mørk. Posnel je že več nosilcev<br />
zvoka, katerih stilske zvrsti segajo<br />
od norveške folk glasbe, argentinskega<br />
tanga in vse do umetnostne glasbe.<br />
Atle Sponberg studied with Isaac Schuldman<br />
at Norway’s Conservatory and with<br />
Herman Krebbers in Amsterdam. He has<br />
participated in master classes with Isaac<br />
Stern, Shlomo Mintz, Henryk Szeryng and<br />
Mstislav Rostropovich. Atle Sponberg is<br />
leader of the Norwegian Radio Orchestra<br />
and is often invited to lead the Norwegian<br />
Chamber Orchestra. He has given recitals<br />
and chamber music performances at festivals<br />
throughout Europe with artists such as<br />
Lars Anders Tomter and Truls Mørk. Sponberg<br />
has released many CDs, from Norwegian<br />
folk music and Argentinean tango to<br />
classical music, including a CD of duos for<br />
violin and cello with Øystein Birkeland.<br />
IZVAJALCI / PERFORMERS<br />
177
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