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THE GOD-MAN The Life, Journeys and Work of Meher Baba with an ...

THE GOD-MAN The Life, Journeys and Work of Meher Baba with an ...

THE GOD-MAN The Life, Journeys and Work of Meher Baba with an ...

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410 <strong>THE</strong> <strong>GOD</strong>-<strong>MAN</strong>In the same year, 1954, he said:"If you were to ask me why I do not speak, I would say I am not silent, <strong><strong>an</strong>d</strong> that I speak more eloquentlythrough gestures <strong><strong>an</strong>d</strong> the alphabet board."If you were to ask me why I do not talk, I would say, mostly for three reasons. Firstly, I feel that throughyou all I am talking eternally. Secondly, to relieve the boredom <strong>of</strong> talking incess<strong>an</strong>tly through your forms, Ikeep silence in my personal physical form. And thirdly, because all talk in itself is idle talk. Lectures,messages, statements, discourses <strong>of</strong> <strong>an</strong>y kind, spiritual or otherwise, imparted through utter<strong>an</strong>ces or writings,are just idle talk when not acted upon or lived up to."If you were to ask me when I will break my silence, I would say, when I feel like uttering the only realWord that was spoken in the beginningless beginning, as that Word alone is worth uttering. <strong>The</strong> time for thebreaking <strong>of</strong> my outward silence to utter that Word is very near."Those who have been in his presence know that <strong>Baba</strong> communicates through his silence.What proceeds from him is beyond words, does not need words, could not be contained in them. <strong>The</strong>inaudible sound is from heart to heart: silence that penetrates mind <strong><strong>an</strong>d</strong> heart. He sometimes reminds thosewho read or listen to what he 'says' that he uses <strong>an</strong>other l<strong>an</strong>guage from theirs, which should be rememberedwhen his words are considered. That is, his st<strong><strong>an</strong>d</strong>point is different from those who listen. He is on the level<strong>of</strong> the listener, but his st<strong><strong>an</strong>d</strong>point is absolute, i.e. timeless <strong><strong>an</strong>d</strong> essential, while that <strong>of</strong> the listener is relative,i.e. in the terms <strong>of</strong> earthly life <strong><strong>an</strong>d</strong> history. Silence is not only a matter <strong>of</strong> non-speaking, but silence <strong>of</strong> thedesires, passions, urgings <strong><strong>an</strong>d</strong> conflicts <strong>of</strong> body <strong><strong>an</strong>d</strong> mind. In those who practise it, silence brings aboutcalmness <strong><strong>an</strong>d</strong> harmony in the body, making it a ready instrument: it is complete self-possession.<strong>Baba</strong>'s silence places him among the int<strong>an</strong>gible, the unrecorded <strong><strong>an</strong>d</strong> not documented, a positive sign thathe does not wholly belong to the rational world <strong>of</strong> facts <strong><strong>an</strong>d</strong> events but to the inner world <strong>of</strong> insight <strong><strong>an</strong>d</strong>intuition.(4)This suggests that something should be said <strong>of</strong> the silence <strong>of</strong> <strong>Baba</strong> in connection <strong>with</strong> the great amount <strong>of</strong>writing bearing his name, <strong>of</strong>

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