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THE GOD-MAN The Life, Journeys and Work of Meher Baba with an ...

THE GOD-MAN The Life, Journeys and Work of Meher Baba with an ...

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<strong>THE</strong> TEACHING 423(7)<strong>The</strong>re is in <strong>Baba</strong>'s cosmology the possibility <strong>of</strong> 'dissolution <strong>of</strong> consciousness', not in the course <strong>of</strong>evolution, but in the process <strong>of</strong> involution on the fourth pl<strong>an</strong>e <strong>of</strong> consciousness. It is when the soul hasadv<strong>an</strong>ced in consciousness, feels its powers, has intense emotions, is aware <strong>of</strong> its own will, which is the keyto its future, <strong><strong>an</strong>d</strong> is tempted to use its powers wrongly, that what <strong>Baba</strong> calls a 'psychic crash <strong>of</strong> unimaginablemagnitude' may occur. That is why the fourth pl<strong>an</strong>e <strong>of</strong> high intelligence <strong><strong>an</strong>d</strong> consciousness is d<strong>an</strong>gerous. Hesays:<strong>The</strong> explosive forces thereby released bring about a complete disintegration <strong>of</strong> consciousness, subjectingthe soul to a cataclysmic downfall from the heights <strong>of</strong> subtle consciousness' to the very lowest depths <strong>of</strong>rudimentary stone consciousness' (God Speaks, p. 45).This me<strong>an</strong>s starting the evolutionary process all over again. Normally, says <strong>Baba</strong>, consciousness oncegained is never lost, only when the powers <strong>of</strong> the fourth pl<strong>an</strong>e are misused does it happen. Altogether, thisseems to me <strong>an</strong> original statement on the idea <strong>of</strong> reincarnation for which we are wholly indebted to <strong>Meher</strong><strong>Baba</strong>.(8)Thus in his cosmology, <strong>Meher</strong> <strong>Baba</strong> posits <strong><strong>an</strong>d</strong> <strong>an</strong>swers the question, What is m<strong>an</strong>? <strong>The</strong> <strong>an</strong>swer is thatm<strong>an</strong> is the actor <strong>of</strong> the divine cosmic drama, the theme <strong>of</strong> which is the divinization <strong>of</strong> all things <strong><strong>an</strong>d</strong> <strong>of</strong> m<strong>an</strong>as the image <strong>of</strong> God. Though actor, he is not a puppet, for his inner core <strong>of</strong> divinity allows him freedom. Sohistory is the drama <strong>of</strong> m<strong>an</strong>'s realization <strong>of</strong> his oneness <strong>with</strong> God. His soul evolved in the process <strong>of</strong>evolution, a part <strong>of</strong> nature in his phenomenal structure, acquires in the process <strong>of</strong> involving consciousnessknowledge <strong>of</strong> himself. <strong>The</strong>se processes <strong>of</strong> evolution <strong><strong>an</strong>d</strong> involution are a single act <strong>of</strong> love, which explainsthe emphasis upon obedience <strong><strong>an</strong>d</strong> love in the teaching. God is not <strong>an</strong> absentee, looking at the world from adist<strong>an</strong>ce; he is in the world's suffering <strong><strong>an</strong>d</strong> ignor<strong>an</strong>ce, for creation is God in phenomenal existence. If we askwhy there is God <strong><strong>an</strong>d</strong> creation, why we exist at all, the <strong>an</strong>swer is 'love': creation is the play <strong>of</strong> love. What wecall supernatural is the essence <strong>of</strong> the natural, <strong>with</strong>out which creation would not exist, <strong><strong>an</strong>d</strong> vice versa. To usin this world unless there is body there is nothing, from this imperfect body we know the supernatural.

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