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ECONOMY

Weingast - Wittman (eds) - Handbook of Political Ecnomy

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874 democracy, peace, and war<br />

1.2 Audience Costs<br />

Fearon’s (1994) “audience costs” model is closely related to but theoretically distinct<br />

from the public constraints argument. Starting from a somewhat different premiss<br />

from the public opinion literature, the “audience costs” literature begins with the<br />

assumption that war is an inefficient solution to a bargaining problem (Fearon<br />

1995). One reason states might adopt an inefficient policy is because state A cannot<br />

credibly signal to state B what A’s true resolve or cost tolerance is. This line of<br />

reasoning is explicitly strategic, in that the problem or cause of war or peace lies in one<br />

side’s strategic incentives to misrepresent its own capabilities. The theoretical focus is<br />

on leaders’ ability or lack thereof to decipher their opponent’s resolve.<br />

The audience costs permutation of the signaling model of war is based on the<br />

indirect effects of anticipated electoral punishments, and assumes that during international<br />

crises states are uncertain about each other’s resolve for war (resolve here<br />

refers to how willing the opposing sides are to fight and therefore bear the high costs<br />

of war to defend their interests). Because a state’s costs of fighting are related to both<br />

its own resolve as well as its opponent’s, states have incentives to adopt policies short<br />

of war to try to force their opponents to reveal credible information about their levels<br />

of resolve. Escalating a diplomatic crisis by mobilizing one’s military forces is one way<br />

in which a state can attempt to communicate its resolve to the other side, that it will<br />

fight to defend its interests, and in doing so, hopefully get the other side to back down.<br />

In the audience costs approach, domestic politics enters the picture when leaders<br />

consider what might happen if they back down after precipitating or escalating a<br />

crisis. The audience costs model proposes that potential voters will view backing<br />

down in a crisis as a policy failure, and when able, will therefore punish at the polls<br />

leaders that back down in a crisis. Institutions matter in that citizens of authoritarian<br />

states are less able to inflict political costs on their leaders than voters are in states with<br />

elected leaders. Notably, some audience costs models have focused on the political<br />

opposition rather than on the public (Schultz 2001).<br />

From the audience costs perspective, all leaders know that dictators are freer to<br />

back down, and hence more likely to bluff, than are elected leaders. In turn, according<br />

to this logic, because a democratic leader will suffer greater punishment from backing<br />

down than an authoritarian counterpart will, the democrat will be likely to step up the<br />

escalatory ladder only when he or she is unlikely to back down; that is, when he or she<br />

has a high resolve for war. Ironically, this becomes an advantage for democracies, as a<br />

democracy’s decision to escalate a crisis is a stronger signal of its resolve for war than<br />

is an autocrat’s decision to escalate. When democracies escalate they really “mean it,”<br />

but when autocrats escalate, they are more likely than democracies to be bluffing.<br />

Relatedly, some have proposed that democratic domestic audiences are more likely to<br />

punish political leaders for reneging on international agreements like alliances, which<br />

in turn makes cooperation between democracies more likely (Leeds 1999).<br />

Empirical testing of audience costs models is at this stage preliminary. However,<br />

one central audience costs hypothesis is that when a democracy escalates a crisis,<br />

the other side should be significantly more likely to back down, as the prospective

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