AllatRa by Anastasia Novykh 2 www.allatra.org

AllatRa by Anastasia Novykh
Rigden: Absolutely. This number is interesting in many ways. In the ancient Egypt, for
example, there was thorough knowledge of the geometry of space, exact numeric values
for measuring angles of geometric figures. The latter formed the basis of knowledge in
the implementation of various projects in construction and architecture, including the
unique ones, due to which certain conditions were formed to change the physics of
space. A clear example is a set of the "great pyramids" in Giza built during the time of
ancient Egypt. However, the true purpose of such complex architectural objects, the
angles of which are accurate within a degree, built with certain materials and specific
complex architecture is probably only clear to those who have Knowledge about the
interaction of fields, about subtle energies and the principles of operation of other
dimensions, and also about the influence signs have on the world. But this is not the
point. The main thing at the moment is that this knowledge existed in ancient Egypt.
Anastasia: You once spoke of the ancient Egyptian god Osiris, his activity, speaking
our language, as a Bodhisattva and about the fact that the ancient Egyptians associated
the number 72 with sacred religious symbols.
Rigden: That is correct. The ideas of the ancient Egyptians about the sacred number 72
is also related to the level of perception of the Bodhisattva as a spiritual being associated
directly with the world of God who knows the essence and who is able to use the
integrity of 72 dimensions. Osiris was portrayed not only as a human, but also as a lotus
flower (initially with 72 petals). Some images of him concealed knowledge about the
Universe. For example, in certain stories, the white robe, in which Osiris was portrayed
as the Supreme Judge of human souls in the afterlife, was covered with an interlacement
of a certain number of nodules that were lotus buds (originally 72). Later when these
plots were redrawn numerable times and copied by the people who did not know about
the sacred knowledge depicted there, this number changed, and the apparel of Osiris was
pictured like that of a mummy, in other words, in a way that was more understandable
for the thinking of the average person. But then again, if you possess the knowledge,
then even with those texts that came down through millennia to the present generations,
thanks to the temple paintings, the graves of the ancient Egyptians, it is possible to
understand what they are all about, as they say, to "separate the wheat from the chaff".
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