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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

Examples:<br />

1) Mandala in the form of a circle with an indication of a square with a dot in the<br />

centre and a four-sided pyramid with six steps and a fourfold division;<br />

2) Kali Yantra (translated from Sanskrit, “kala” means “time”; this word traces back<br />

to the Indo-European root that means spinning; a word that is close in its meaning<br />

in the Russian language is “kolo”); in Hindu mythology, it means cyclical creations<br />

and destructions of the Universe, rotation of time in the concept of rebirth of the<br />

Soul and of a subject of fate.<br />

Generally speaking, it should be noted that the quadratic structure, which points at the<br />

common ancient symbolism of spiritual knowledge, is reflected also in the architectural<br />

planning of temples belonging to other religions. For instance, the temple and monastery<br />

complexes of Ancient China had a square and a circle in their base. The largest and the<br />

famous “Temple of Sky”, for example, is divided into two parts in its planning: one is<br />

shaped as a square (a symbol of the Earth; earthly powers) and the other one is rounded<br />

(the circle is a symbol of Heaven; heavenly forces). In China, a joint drawing of a square<br />

and a circle (Earth and Heaven) still symbolises an ideally balanced person (in spiritual<br />

aspect). Another example: the form of Muslim mosques, which are oriented towards the<br />

Kaaba in Mecca, is also square or rectangle…<br />

<strong>Anastasia</strong>: Yes, you once told us about this and about Christian temples, too. The<br />

Christian quadrifolium (“four-leaved clover”, from the Latin word “quadri” meaning<br />

“four times” and “folium” – “leaf”) is a cross-in-square temple, the four branches (bays)<br />

of which are crowned with dome-shaped curves denoting the “firmament”. You<br />

mentioned that the Greek name of such temples is tetraconch (“four shells”; from the<br />

Greek word “tetras” meaning “four” and “konche” – a “shell”, a “whirlwind”, “what is<br />

spirally twisted”). I got interested in it and discovered many interesting facts. Such<br />

constructions were popular not only in ancient Rus’ but also in Byzantium, countries of<br />

Transcaucasia (Armenia and Ge<strong>org</strong>ia), Persia (Iran), India and other ancient countries.<br />

They came to the West through the Hellenistic culture, which had borrowed many things<br />

from cultures of the Ancient East. But what’s remarkable is the fact that in temples of<br />

early Christianity in the Middle East and in Europe (and later in Christian temples of<br />

ancient Rus’ as well) the altar at first was actually installed exactly in the Crossing of the<br />

temple as a throne of the “invisible God”! That is, under the central big dome in the<br />

middle of the church. And only much later was the altar moved to the protruding eastern<br />

3<br />

<strong>www</strong>.<strong>allatra</strong>.<strong>org</strong>

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