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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

Figure 99. An ancient Egyptian statuette "The scribe with a scroll"<br />

(XIX-XVIII centuries BC, Ancient Egypt, The State Museum of Fine Arts named after<br />

A.S. Pushkin, Moscow, Russia)<br />

The ancient Egyptians had a special attitude to the Sound as to a sacred manifestation of<br />

the invisible One who created everything. From whence they have this understanding,<br />

fixed in legends, that Sounds evoke the Universe, they evoke not only the Soul, but also<br />

the most beautiful thing in it - the connection with the invisible One.<br />

<strong>Anastasia</strong>: Obviously therefore in ancient Egypt was a special veneration of music as a<br />

great creative force. Kept mentioning that in some religious ceremonies there trusted to<br />

fill the space <strong>by</strong> sacred sounds only to women, such as priestesses of the goddess Isis,<br />

Hathor, on the heads of which, incidentally, was a sign "<strong>AllatRa</strong>."<br />

Rigden: It all of course external ceremonies, which, however, is just symbolized the<br />

creative power of the divine Allat exhibiting the power of God (the Primordial Sound of<br />

creation) through the sign "<strong>AllatRa</strong>." But the most important thing in all this theatrical<br />

4<br />

<strong>www</strong>.<strong>allatra</strong>.<strong>org</strong>

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