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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

chakrans on the feet) symbolizes the opportunity to follow the spiritual way, which leads<br />

into the “kingdom of God”. In other words, despite the Christian philosophy of<br />

interpretation of the anoiting process, the process itself was carried out practically along<br />

the points of the main chakrans…<br />

Rigden: Absolutely, if one learns more about the rituals related to anointing with oil<br />

among various peoples of the world from ancient times up to now, one can discover a<br />

“surprising similarity” in the application of “prayed, sanctified” oil on practically one<br />

and the same parts of the body; that is to say, the activation of man’s certain energy<br />

zones – chakrans. For example, these rituals were common among the ancient<br />

Egyptians, residents of the ancient and modern India, people inhabiting the territories of<br />

the Ancient Europe, Ural, and Siberia. Furthermore, it suffices for an attentive person<br />

only to have a look at how peoples in different parts of the planet portray gods and<br />

saints, with what symbols their main chakrans are marked, and how fingers of their<br />

hands are connected in certain combinations. It is only for ignorant people that all this is<br />

explained in the categories of general concepts as symbols that form a connection<br />

between Heaven and Earth and as ways to create and control a creation of one or another<br />

deity. They actually point at the spiritual symbols and the practical knowledge of selfperfection<br />

of man.<br />

For example, in Christianity, more precisely, in the Orthodoxy, there is the icon “Savior<br />

in Glory”. Once it occupied one of the central positions of the iconostasis of the<br />

Orthodox cathedral. In Rus, it was exactly during that time (the 14 th -15 th centuries) when<br />

the low rood screen was replaced <strong>by</strong> the big screen – iconostasis, which separated the<br />

altar from the main part of the temple. So this icon is notable for its unusual symbolism.<br />

4<br />

<strong>www</strong>.<strong>allatra</strong>.<strong>org</strong>

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