AllatRa by Anastasia Novykh 2 www.allatra.org

AllatRa by Anastasia Novykh
present Slavic territories, as a symbol of the creative power of the divine principle,
associated with water, and also riled by the "green and blue color".
Rigden: I will say even more. In order for explain to people the Knowledge of invisible
world, had to go to associations and images that are understandable to the people of
three dimension world. In the ancient times the Great Mother (goddess) as the creative
power of the Spiritual nature of man (for example, the same Isis later became the
reflection of it in the likeness of the woman) originally was depicted in specific pose,
remindful the sacred cube - when a person sits hugging its knees. On top the “cube” was
crowned with a head, indicate it up. And on the head or on one of cube’ plane put the
sign “AllatRa”.
The essence is simple. This symbolical image of the path of spiritual liberation of a
Person at its merging with the Soul (regardless of the body, in which a person exist, for
example, his gender, race, and so on). So originally in ancient times the Genetrix was
depicted sitting in cubiform position.
With she was placed on a square, flat base. Cube meant the spiritual world, which a
person can achieve with the help of the divine feminine force (the Allat) and
qualitatively to change his nature, becoming another - Spiritual Being. It also meant six
dimensions, where is the human design. Flat square stone - the earth material world, as
well as four corners as designation of the four basic Human Aspects. Later, when the
human imitation has gone, priests began reproduce (to perpetuate for the earthly glory)
their faces in the form of cubic sculptures.
In later times, when in the same ancient Egypt the gods were pictured in the form of
personalized sculptures, so then to reflect their divine essence figure of god was set on
the cube. And if it was necessary to point out the connection between earth and heaven
(divine), it put on a cube, which was placed on a flat square. If the figure was simply
placed on a flat square, it meant exclusively temporal aspect of life. Such initial
cubiform statues (and their variants of rhombic types) in due time were fairly common
canonical sculptural images not only in Ancient Egypt, but also in other parts of the
world.
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