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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

So, pearl itself in ancient Rus was called “inchi”, which means “different”, “the one”,<br />

“the only”, “the true one, the right one” among many Slavic and other peoples. That is<br />

why later in Christianity the monk was called “inok” and nuns – “inokinia”. The pearl<br />

was an associative symbol of the Soul from another (spiritual) world. The ancient<br />

Russian word “rakovina” “perlamutr” is derived from the ancient words of the Slavic<br />

peoples living in Eastern Europe. “Raky”, “rakъve” is a “shell” and is similar to the<br />

Latin word “аrсеō” meaning “I lock”. In other words, a pearl in the shell is a symbolic<br />

notation of the Soul locked inside the material shell of the body, which had been brought<br />

here from another world and can liberate itself only when the human consciousness (the<br />

Personality) fuses (connects) with the Soul with the help of spiritual, creative power and<br />

the dominance of the Spiritual nature in man.<br />

<strong>Anastasia</strong>: This information is really very interesting for the people today. Interestingly,<br />

large pearls in the ancient times were called Orient (the Latin word “orientis” meaning<br />

the “rising sun”). This word is borrowed from the East. This is how something “different<br />

which attracts with its unidentified quality and inner beauty” was often called in poetry.<br />

Rigden: Quite true. Large pearls were called exactly “unio” (from Latin – “the only<br />

one”), and the word “orient” in the East originally meant radiance of natural pearls.<br />

<strong>Anastasia</strong>: Yes, from the perspective of spiritual symbols you look at all this in a quite a<br />

different way!<br />

Rigden: I will say even more. The cylindrical room under the central large dome or a<br />

tower in the central inner part of the cross-domed temple was called the main, central<br />

apse, where the place for the throne and the altar was allotted. The ceiling of the apse in<br />

the form of semi-dome (conch meaning a “shell”, a “spiral whirlwind”, “vortex”)<br />

symbolised the “sky”. In architecture, the locking stone, which “locks” the arch or the<br />

dome, is still called the key. So, originally on the inner concave surface of the apse, as a<br />

rule, there was a mosaic image or a painting of the Mother of God “Oranta” with raised<br />

hands as a symbol of the “one who opens the Gate of Heaven”.<br />

<strong>Anastasia</strong>: Yes, all the symbols of man’s spiritual work on himself are really present<br />

here, including the attainment of liberation with the help of the divine power of feminine<br />

principle… The image of the Mother of God “Oranta” was known in Ancient Rus’<br />

4<br />

<strong>www</strong>.<strong>allatra</strong>.<strong>org</strong>

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