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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

are clay contour stamps, usually having an ornamental pattern. They were quite common<br />

in many cultures of the Neolithic period. It is believed that one of their functions was to<br />

apply some sort of “tattoos” in the form of signs and symbols with paint on human body<br />

before a sacred ritual or a ceremony.<br />

And, of course, the Shigir culture (the 5th-4th millennium BCE, the Middle Urals and<br />

Trans-Urals; modern Russia) can be highlighted. Its artefacts include a wooden sculpture<br />

made of larch, which is the oldest one found in the world to date. It was named after the<br />

place where it was discovered, the "Big Shigir idol". The torso of the statue is covered<br />

with carved geometric ornament from all sides. The sculpture itself dates back to the<br />

Mesolithic period (9,500 years ago).<br />

Rigden: By the way, this idol, so called <strong>by</strong> archaeologists, also has information about<br />

the seven dimensions in the form of the seven of his guises (schematic images of the<br />

human faces). And the seventh dimension is represented as the upper three-dimensional<br />

(double-sided) leading “face” while the six dimensions, in the form of six contour<br />

“faces”. The latter ones were cut on the broad planes of the idol's “torso”: three were cut<br />

on the front, symbolising a three-dimensional world, and another three guises, on the<br />

reverse side, symbolising dimensions which are inaccessible to a common person (the<br />

fourth, the fifth, and the sixth ones).<br />

<strong>Anastasia</strong>: The most interesting thing is that scientists are still arguing about what this<br />

could mean and also about the meaning of the symbols and signs on it. Interestingly, in<br />

the first description of this idol <strong>by</strong> a museum worker who then received this object, it<br />

was mentioned that the idol had his legs crossed. And this points at the lotus position<br />

and perceiving the world in the process of meditation. But, obviously, this part of the<br />

artefact was very "inconvenient" for someone as it at least made people think about the<br />

connection with the East, so it is exactly this part that "disappeared without a trace" in<br />

the museum store-room before the revolution.<br />

That's what losing the key to the original Knowledge means: the artefact was found, but<br />

nobody knows what to do with it and how to read the ancient signs and symbols. As a<br />

matter of fact, on the territory of modern Russia, they discovered many symbols of the<br />

ancient archaeological cultures that are highly interesting for the researcher. For<br />

example, the Upper Volga culture (it was located in the area of the Volga River (Upper<br />

Volga), in the Volga-Oka interfluve, on the present territory of the Moscow region,<br />

Russia), in the layers of which dishes with the carved ornament and symbols were found<br />

2<br />

<strong>www</strong>.<strong>allatra</strong>.<strong>org</strong>

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