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AllatRa by Anastasia Novykh 2 www.allatra.org

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<strong>AllatRa</strong> <strong>by</strong> <strong>Anastasia</strong> <strong>Novykh</strong><br />

the cross of the central dome of the temple as a symbol of the Holy Spirit. In the history<br />

of twists and turns of the temple in Polotsk, it is mentioned that in the 18th century there<br />

was even an attempt to remake the temple in the honour of the Descent of the Holy<br />

Spirit. The dove is already a substitution <strong>by</strong> the people of an older top of the cross – the<br />

“<strong>AllatRa</strong>” sign in the form of a crescent with its horns pointing up and a circle above.<br />

Earlier, the dove was depicted with its wings outspread. When a person looked up at the<br />

cross of the cathedral, instead of the dove he saw a sign which was visually created <strong>by</strong><br />

the raised wings and the little head of the dove (in the form of a crescent with its horns<br />

pointing up and a circle).<br />

Secondly, the original of those copies – Saint Sophia’s Cathedral in Kiev – was built not<br />

on its own but as a part of a complex. The four “City Gates” were built along the<br />

corners of the Cathedral at the same distance from it, and they were also marked with<br />

signs. Although it will be more correct to say that they were gates to the so-called Upper<br />

town, which was located on Old Kiev mountain, which is now the central part of Kiev.<br />

<strong>Anastasia</strong>: So, the four gates around Saint Sophia’s Cathedral in Kiev make a diagonal<br />

cross similarly to the four Aspects, where the Cathedral itself is the centre as a symbol<br />

of the Soul.<br />

Rigden: Precisely. In the religious symbolism of Christianity, gates are entrances<br />

leading from the forechurch to the temple, and from the temple to the altar. The main<br />

gate of the Old Russian iconostasis in an Orthodox temple were located opposite the<br />

throne (in the altar) and were called the “Holy Gate” in the meaning of spiritual and not<br />

political supremacy. Usually, in its upper part, the Annunciation scene with Archangel<br />

Gabriel and Virgin Mary was depicted, and the bottom part had four Evangelists in pairs<br />

on the wings of the doors. So, the opening of the Holy Gate at certain moments of the<br />

service symbolises the “opening of the Kingdom of Heaven”, that is, an entrance, a pass<br />

to another, spiritual world. And this symbol did not appear without a reason. This energy<br />

process of the “opening” of a passage into another world really takes place during the<br />

spiritual work (both individual and collective) of strong spiritual individuals, regardless<br />

of what religion they belong to and in which country they live. By the way, in ancient<br />

times among the peoples of, for example, Kievan Rus, the “opening of the gate” of the<br />

city meant let someone into the city; in case of enemies, it meant the capture of the city<br />

or the wish of the city dwellers to lay down their weapons. If a chronicle mentioned the<br />

3<br />

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