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The Lolita Complex: - Scholarly Commons Home

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e seen not only in regard to <strong>Lolita</strong> fashions but also in influences on the<br />

music industry.<br />

A notable homage to the <strong>Lolita</strong> movement is seen, for example, in the<br />

work of American singer and fashion designer Gwen Stefani of No Doubt.<br />

With her breakaway solo album, Love, Angel, Music, Baby (2004), Stefani made<br />

lyrical references to Harajuku in her lyrics; *<br />

* Harajuku, Tokyo is where <strong>Lolita</strong> first appeared on the streets, en masse.<br />

was supported by four<br />

“Harajuku girl” dancers; released a video in which she starred as a <strong>Lolita</strong>-like<br />

Alice; and has since launched Harajuku Lovers, a range of perfumes for her<br />

fashion label, L.A.M.B.<br />

<strong>The</strong> musician Courtney Love, lead singer/songwriter and guitarist of<br />

Hole, has also demonstrated her fascination with the subculture through the<br />

medium of manga. As the author of the graphic novel series, Princess Ai (Figs<br />

68 & 69), she caricatures herself as the leading <strong>Lolita</strong>-styled protagonist, Ai<br />

(“ai” being Japanese for “love”), while the princess’ lover is based on<br />

Nirvana’s Kurt Cobain (Love’s deceased husband). In a poignant episode,<br />

the characters embrace, accompanied by the caption, “Even apart, we’ll<br />

always be together” (Fig. 68).<br />

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