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Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: II. The Cult of Cuteness”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--Cute.htm (accessed March 13, 2007). Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: III. Lolita Fashion”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--Lolita.htm (accessed March 13, 2007). Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: IV. Gothic Lolita”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--GothicLolita.htm (accessed March 13, 2007). Tipton, Elise K. “Being Women in Japan, 1970 – 2000”. In Women in Asia: Tradition, Modernity and Globalisation, edited by Louise Edwards and Mina Roces, 208 – 228. Sydney: Allen & Unwin, 2000. Van Meene, Hellen. “Group Exhibition: ‘Viva Lolita’, Curated by James Putnam”. http://hellenvanmeene.com/exhibitions/2008/viva-lolita/ (accessed March 19, 2009). Waswo, Ann. Modern Japanese Society: 1868 – 1994. Oxford and New York: Opus, Oxford University Press, 1996. Wheeler, Michael. Heaven, Hell and the Victorians (or Death and the Future Life in Victorian Literature and Theology). Cambridge and New York: Cambridge University Press, 1994. White, Bruce, and Gordon Mathews. “Epilogue: Are Japanese Young People Creating a New Society?”. In Japan’s Changing Generations: Are Young People Creating a New Society?, edited by Gordon Mathews and Bruce White, 189 – 200. London and New York: Routledge/Curzon, 2004. Wickmann, Siegfried. Japonisme: The Japanese Influence on Western Art since 1858. London: Thames and Hudson, 1981. Winge, Theresa. “Costuming the Imagination: Origins of Anime and Manga Cosplay”. In Mechademia 1: Emerging Worlds of Anime and Manga, edited by Frenchy Lunning, 65 – 76. Minneapolis: The University of Minnesota Press, 2006. Page | 271
Wilcox, Claire. Vivienne Westwood. London: V&A Publications, 2004. Wisker, Gina. The Postgraduate Research Handbook: Succeed with your MA, MPhil, EdD, and PhD. 2 nd ed. Houndmills: Palgrave Macmillan, 2008. Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. London, and New York: Routledge, 1991. Yaharta, Yo. “The Dark Subculture of Japanese Youth”. World Press Review 51, no. 4 (April, 2004). http://www.worldpress.org/Asia/1841.cfm (accessed September 4, 2006). Yoshinaga, Masayuri, and Katsuhiko Ishikawa. Gothic & Lolita. London: Phaidon, 2007. Page | 272
Page 1 and 2:
SCHOOL OF ART AND DESIGN A thesis s
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Contents Attestation of Authorship
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3.12 The Means to Shock 235 Conclus
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Figure 9: Paul Michael Moon Rogers,
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Figure 26: Claude Monet, Waterlilie
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Figure 43: Yu~Ki, bassist for Malic
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Figure 65: Suigintou, Rozen Maiden
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Figure 83: Lolicon, http://blogs.ne
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on the Lolita subculture that we wo
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methodological approach relates clo
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What is the Lolita Subculture? The
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Image removed according to copyrigh
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Taking into consideration the styli
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established trajectories, and rewri
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. How the subculture is perceived b
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The Literature As the Lolita subcul
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My methods for compensating for a l
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and Louise Edwards, “Contesting G
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make it my next major research proj
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That is, I deal with the Abstract a
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Adams’ particular definition of t
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Online Communities My involvement i
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Doll Collecting I have been a doll
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After moving back to Sydney tempora
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The Lolita Complex A Japanese Fashi
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So-called Lolita * The Lolita Subcu
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Though reasons for adopting the Lol
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The Lolita Fashion Identity Since t
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A true Gothic Lolita thus adheres t
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The Gothic Lolita will usually wear
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The Sweet Lolita In a sense the tru
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If the Sweet Lolita’s dress is no
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Figure 14: Kathryn Hardy Bernal (we
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Given that Mana branded his collect
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Japan and the Western World Critics
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Early Encounters in Art & Design Be
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The shift in these dynamics occurre
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Court superseded Pugin’s stall as
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One of the finest examples of Anglo
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In 1888, the renowned department-st
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According to Richard Cork and the m
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entire wardrobe of Kansai designs.
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Merry Christmas, Mr Lawrence is kno
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It was, though, with the Yellow Mag
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These designers, especially Kawakub
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In observing these images it is app
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As discussed, Visual kei is the mus
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However, the authentic Gothic Lolit
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During the Taishō era (1912 - 1926
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with English subtitles in 2006. Whi
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Lolita and Popular Culture Besides
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illustration, is closely related to
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wider, “European” eyes, as well
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Chapter Two The Japanese Lolita: A
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commonly held sensibility not only
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Hina-Matsuri The Significance of Ni
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Bunraku Another tradition, bunraku
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Kitano’s Dolls Three tragedies, b
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[They] became especially popular du
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have taken on certain attributes of
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dolls) that had been delivered to J
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Hearn was struck by the realism and
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The impulse to collect… makes sen
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Pearce reiterates this notion of lo
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A Means to Escape the Real World I
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These pressures, combined with the
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For the Gothloli, this special priv
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Kawaii does not, therefore, transla
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childish objects; and the idea that
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A potential explanation for the see
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Masanobu Sugatsuke, editor of Compo
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There are several areas of concern
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Chapter Three: Challenging The Loli
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young woman, my claim is that the G
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“Kasutei” chooses the Lolita st
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In my honest opinion she was nothin
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That the Gothloli is not willing to
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This, argues Hasegawa, has caused
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those Japanese still influenced by
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Being a Woman in Japan As also disc
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The Shifting Position of Woman in C
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Year Changes of Mothers’ Age at C
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The Position of Woman in Historical
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Lolita as a New Form of Feminist Re
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In reference to the Japanese moveme
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To the Victorians, the Child was a
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Says “Loli-Bee”: Some people th
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That men are largely not attracted
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Lolita as a Radical Subculture In a
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Yuniya Kawamura highlights Dick Heb
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Resisting the Power of Pornography
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While examples of lolicon and or he
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Page 221 and 222: The lolicon is also yet another pro
Page 223 and 224: understand that photographs of them
Page 225 and 226: The Gothloli expects and can feel p
Page 227 and 228: Writes Henville (somewhat contradic
Page 229 and 230: There is also much to be said in th
Page 231 and 232: notion that the fetishised French-m
Page 233 and 234: calling Hime Your Royal Highness or
Page 235 and 236: the rong [sic] age”. * And simila
Page 237 and 238: Just as she takes on the identity o
Page 239 and 240: pornographic activity is not openly
Page 241 and 242: Little Girl: “Don’t try to play
Page 243 and 244: Is this the Beginning or the End? O
Page 245 and 246: In 2003, the Japanese Lolita subcul
Page 247 and 248: and youth (post-school-aged) commun
Page 249 and 250: The question Chuang and I raised wa
Page 251 and 252: Just as the Aoki Sydney Powerhouse
Page 253 and 254: dresses we bought in Japan. The fin
Page 255 and 256: But, is this the end or just the be
Page 257 and 258: Anonymous. “Japanese Youth Subcul
Page 259 and 260: Chuang, Bevan K. Y., and Kathryn A.
Page 261 and 262: Giamo, Benedict. “The Myth of the
Page 263 and 264: Ivy, Marilyn. Discourses of the Van
Page 265 and 266: Lambourne, Lionel. The Aesthetic Mo
Page 267 and 268: Muramoto, Hiro. “Japan’s Gothic
Page 269 and 270: Pooke, Grant and Diana Newall. “P
Page 271: Spooner, Catherine. Fashioning Goth
Page 275 and 276: 22 Ibid. 23 Britannia Online Encycl
Page 277 and 278: 78 Frederick Hadland Davis, op. cit
Page 279 and 280: 118 Yuniya Kawamura, op. cit., p. 3
Page 281 and 282: 176 Ibid., p. 55. 177 Ibid., p. 54.
Page 283: 224 Jane Pinckard, op. cit. 225 Ibi
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