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The Lolita Complex: - Scholarly Commons Home

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Little Girl: “Don’t try to play dumb. I knew it was you when I saw you by the<br />

escalators. You were taking pictures up girls’ skirts!”<br />

This man, the little girl duly destroys.<br />

While these cases are fictional, they highlight the realities of an<br />

environment that places an emphasis on sexualising young girls and the need<br />

for young women to stand up to it. One way that the Gothloli does this,<br />

ironically, is to reveal the little-girl image through public display so that her<br />

identity is surveyed openly. Paradoxically, although this action is potentially<br />

dangerous, it assists in disarming the <strong>Lolita</strong> <strong>Complex</strong> by revoking the private<br />

and secretive nature of this fascination, especially in relation to the viewing<br />

of lolicon and hentai. In turn, this exposes and confronts the Voyeur.<br />

<strong>The</strong> communal aspect of the subculture, represented as girl power in<br />

literature and realised in everyday life, also reduces the <strong>Lolita</strong>’s vulnerability.<br />

As they say, there is safety and strength in numbers. As a collective identity,<br />

Gothloli reinforce and protect each other. En masse, <strong>Lolita</strong> is “in your face”<br />

and intimidating. In Jane Pinckard’s words, <strong>Lolita</strong> seem to say:<br />

“We are dolls… but don’t play with us. We bite…. It’s a ‘screw you’ to<br />

creepy older men who might fetishize the <strong>Lolita</strong>”. 224<br />

After all, it is…<br />

“the very cuteness, the prettiness, which is creepy….<br />

<strong>The</strong> creepy cuteness is meant to disturb, to provoke”. 225<br />

Page | 240

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