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Methodology
As noted in my abstract, this thesis is multi-disciplinary. Although there is an
emphasis on Fashion (or Design) History and Theory, my research also
spans the fields of Subcultural Theory, Gothic Studies, Gender Studies,
Asian Studies and Anthropology.
In terms of established methodologies, however, my approach is most
strongly aligned with Analytic or Psychoanalytic Art History, stemming from
my education and professional training in the History and Theory of Art and
Design. I consider myself, as such, a Theorist with a capital “T”.
The term “theory” is multilayered and varies in interpretation,
according to whether it is associated with science, philosophy or the arts. In
consulting the numerous entries on the word, “theory”, I appertain to the
following definition:
5. Abstract knowledge, or the formulation of it; often used as implying, more or
less, unsupported hypothesis… distinguished from or opposed to practice… in
theory… according to the theory, theoretically (opposed to in practice or in fact)…. 6.
In [a] loose or general sense: A hypothesis proposed as an explanation; hence a
mere hypothesis, speculation, conjecture; an idea or set of ideas about something;
an individual view or notion. 1
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