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The Lolita Complex: - Scholarly Commons Home

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<strong>The</strong> Gothic <strong>Lolita</strong><br />

<strong>The</strong> Gothic <strong>Lolita</strong> is perhaps the most conspicuous identity of the G&L<br />

subculture, especially as she carries the title Gosurori (Gothloli, a contraction<br />

of “Gothic” and “<strong>Lolita</strong>”) (Fig. 8). <strong>The</strong> Gothic <strong>Lolita</strong> style is most evidently<br />

linked to Victorian-inspired and Goth fashions, in that it draws from some<br />

of the main sensibilities, in the wearing of black and the reference to<br />

Victorian mourning, heavy black eye-makeup, and an attraction to<br />

accessories such as crosses, crucifixes and rosary beads. <strong>The</strong> Gothic <strong>Lolita</strong><br />

may also adorn her garments with genuine antique or Victorian-style<br />

mourning jewellery, such as black-silhouette cameo brooches or pendants<br />

and black beads. This look, although connected, differs from a “typical”<br />

Western Goth look as it is “sweetened” by the Child/Doll aspect.<br />

Mariko Suzuki discusses the differences between Western Goth styles<br />

and the authentic Gothic <strong>Lolita</strong> at its inception:<br />

In the West, bondage was a central theme to the Gothic style and sexy clothes were<br />

dominant. Japan’s Gothic style tended to the opposite. Abstinence, girlishness and<br />

virginity were prominent themes. Girls covered up so very little skin was left<br />

exposed, and wore lace and other frilly material almost to excess. <strong>The</strong>y covered<br />

their legs with knee-high socks and wore Odeko shoes, characterized by a<br />

prominent rounded toe, rather than high heels. 9<br />

Page | 57

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