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The Lolita Complex: - Scholarly Commons Home

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<strong>The</strong> Sweet <strong>Lolita</strong><br />

In a sense the truly Sweet <strong>Lolita</strong> (Figs 5 & 11) is the antithesis of the Gothic<br />

<strong>Lolita</strong>. In the case of the Sweet <strong>Lolita</strong> there is a pronounced concentration<br />

on the very sweetest aspects of the <strong>Lolita</strong> style, thus more of an emphasis on<br />

candy-Rococoesque design or the prettiest Victorian doll, rather than the<br />

Gothic. Her dress which is often an explosion of frothiness, bows and frills<br />

is generally made up in either one pastel colour, often fairy-floss pink or<br />

powder/baby blue, or a combination of pastel/pretty colours, such as pale<br />

pinks, salmons, duck-egg/light blues, lemon, butter yellow, mauves or soft<br />

greens, sometimes mixed with or grounded by either white or cream, even<br />

navy, raspberry or black.<br />

<strong>The</strong> Sweet <strong>Lolita</strong> still adheres to the silhouette of the Classic <strong>Lolita</strong> but<br />

this Gothloli will often wear a shorter-sleeved blouse or dress and may<br />

choose shorter lace-trimmed socks. <strong>The</strong> pinafore is a common addition<br />

either as a full or half apron over her dress or as a pinafore dress over a<br />

pretty blouse. Her skirt however is still full and at least knee-length.<br />

On her head the Sweet <strong>Lolita</strong> may wear any manner of headdress from<br />

the classic Victorian band to a full bonnet or miniature top hat. She is most<br />

likely though to choose a very large bow attached to a headband.<br />

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