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The Lolita Complex: - Scholarly Commons Home

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Mana, Malice Mizer<br />

and <strong>The</strong> Emergence of the <strong>Lolita</strong> Subculture<br />

<strong>The</strong> figurehead for G&L is commonly identified as Mana, a musician and<br />

now one of the foremost leading fashion designers of the G&L movement.<br />

Although not the originator of the <strong>Lolita</strong> style, he is often accredited with its<br />

instigation due to his high profile as the subculture’s most recognised and<br />

prominent personality and certainly one of the most continuingly influential.<br />

Mana gained his cult status as the guitarist for the legendary Visual-kei,<br />

J-rock, Goth band Malice Mizer (Jap. Marisu Miseru, 1992 – 2001). * Visual Kei<br />

(Jap. vijuaru kei, or “visual style”) is a music genre less signified by a common<br />

sound than by the highly flamboyant, theatrical, heavily made-up fashion<br />

sense of band members that places an emphasis on androgyny and an<br />

effeminate, oftentimes feminine form of male dress.<br />

* J-rock = Japanese rock music. Marisu Miseru is a Japanese phonetic translation of “malice” and<br />

“misery”.<br />

Mana is the ultimate <strong>Lolita</strong> and consummate idol of Gothloli<br />

worldwide. Renowned for dressing in an overtly female manner, Mana takes<br />

on the image of the <strong>Lolita</strong> both onstage and off (Figs 15 & 16).<br />

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