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The Lolita Complex: - Scholarly Commons Home

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Researching from an Insider’s Position<br />

While I stand “outside” the <strong>Lolita</strong> subculture and observe it from a<br />

somewhat objective standpoint, I also, as discussed earlier in this section,<br />

“read” the phenomenon from an analytical viewpoint that correlates with<br />

the Subjective. This “complex method”, as explicated by Adams, “involves<br />

not only the art itself but also the artist, the aesthetic response of the viewer,<br />

and the cultural context”, in revealing “the unconscious significance of<br />

works of art”. 5 In other words, “the investigator intrudes into the process<br />

that he is investigating”. 6<br />

<strong>The</strong> Subjective, or “aesthetic response” to the<br />

Subject, is given an extra layer of meaning through participation as an<br />

“insider”, and from analysing the movement from an inside point of view.<br />

While one may acknowledge that subjectivity might interfere with an<br />

intellectual pursuit it also allows for a deeper comprehension of the Subject.<br />

Just two examples of researchers who have employed an insider method are<br />

Paul Hodkinson (2002) and Richard Griffiths (2004).<br />

In regard to this thesis, I myself come not from one but from three<br />

insider positions: My membership of the globalised <strong>Lolita</strong> subculture; my<br />

experience as a doll collector; and my personal history in relation to New-<br />

romantic and Goth subcultures.<br />

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