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The Lolita Complex: - Scholarly Commons Home

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Being a Woman in Japan<br />

As also discussed previously, the development of the <strong>Lolita</strong> phenomenon in<br />

Japan can be aligned with kawaisa as an effect of post-war anxieties whereby<br />

gender relations have become distorted. In my opinion, the subculture can<br />

also be observed in terms of a reaction against the establishment of an<br />

institutionalised method of patriarchal control.<br />

My stance that <strong>Lolita</strong> in fact bucks this system may appear to be a<br />

contradiction, in consideration of the psyche of the post-war male, in that,<br />

due to aforementioned insecurities, women find themselves in the<br />

dichotomous roles of both mother and young girl in relationships with men.<br />

For in her identification as the Child-woman/Woman-child it may appear<br />

that the Gothloli is symbolically playing into the hands of this patriarchal<br />

construct and resigning herself to an expected life of subservience.<br />

However, paradoxically, as I maintain that in choosing to represent<br />

herself as a woman who prefers to be a child, the Gothloli is in fact refusing<br />

to conform to these traditional roles and responsibilities.<br />

<strong>The</strong> Gothloli’s childish behaviour, especially in regard to playing with<br />

dolls, which I have previously interpreted as not being prepared to grow up<br />

and have one’s own babies, also demonstrates not only a desire to postpone<br />

becoming a real mother but to conceive the babies in the first place, let<br />

alone taking on the role of the mother figure, sexually and metaphorically,<br />

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