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Figure 26: Claude Monet, Waterlilies and Japanese Bridge, c. 1899.
http://www.ask.com/wiki/Armory_show
Figure 27: Andō Hiroshige, Kyobashi and the Bamboo Bank of the Samida River, One
Hundred Views of Famous Places in Edo, 1857. Woodblock print.
http://www.hiroshige.org.uk/hiroshige/influences/whistler.htm
Figure 28: James Abbott McNeil Whistler, Nocturne in Blue and Gold: Old Battersea
Bridge, c. 1872 – 1875.
http://www.hiroshige.org.uk/hiroshige/influences/whistler.htm
Figure 29: Aubrey Beardsley, How King Arthur Saw the Questing Beast, 1893.
http://dailyartist.blogspot.com/2011/01/aubrey-beardsley-august-21-1872-
march.html
Figure 30: Aubrey Beardsley, Frontispiece to The Wonderful History of Virgilius the
Sorcerer of Rome (published by David Nutt), 1893.
http://xaxor.com/oil-paintings/662-aubrey-beardsley-1872-1898.html
Figure 31: John Ross, Grey Towers, Nunthorpe, Middlesborough, 1865 – 1867. In
Susan Weber Soros, E. W. Godwin: Aesthetic Movement Architect and Designer
(New Haven and London: Yale University Press, 1999), p. 202.
Figure 32: E. W. Godwin, Wallpaper for Grey Towers, 1874. In Susan Weber Soros,
E. W. Godwin: Aesthetic Movement Architect and Designer (New Haven and
London: Yale University Press, 1999), p. 203.
Figure 33: Japanese Mon crests (published in Thomas W. Cutler’s A Grammar of
Japanese Ornament and Design, London: B. T. Batsford, 1880). In George
Audsley and Thomas Cutler, The Grammar of Japanese Ornament New York:
Arch Cape Press, 1989), p. 69
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