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The Lolita Complex: - Scholarly Commons Home

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calling Hime Your Royal Highness or Your Majesty in a sarcastic tone,<br />

referring to Hime’s princess-like airs and graces. Hime figuratively replies,<br />

“don’t call me princess, just call me princess-like, you servant” (note that<br />

this graphic novel is translated from Japanese and as such the dialogue<br />

bubbles are still read from right to left). Although the character of Hime is<br />

supposed to be of royal blood and Flandre is literally her servant, this<br />

exchange of words emphasises that they are playing at their roles or playing<br />

them up. But it also demonstrates the difference in attitude towards, and<br />

perceptions about, Gothloli and Maids. Leaving aside their personalities, this<br />

is indicated in their actual names; while Hime is the royal one to be served,<br />

the name Flandre connotes the role of a French maid. <strong>The</strong>re is in this a<br />

sense, especially in regard to stereotypes, that the “princess’ is sweet and<br />

pure, but haughty and cold; while the French maid image is warm but<br />

obedient and, as an archetypal identity, sexualised.<br />

In Princess Resurrection, Hime is depicted as a Hime <strong>Lolita</strong>,<br />

Himeloli/Himerori, or Princess <strong>Lolita</strong>. <strong>The</strong> Himeloli style is a subcategory of<br />

<strong>Lolita</strong> that combines the silhouette of Gothloli with items such as mini<br />

crowns, tiaras and long silk gloves. With the Himeloli the aristocratic tone of<br />

the Gothloli is raised. <strong>The</strong> term “princess” is also used by Gothloli to<br />

describe themselves overall. For example, “Tsukiyo” says:<br />

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