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147 See Elise K. Tipton, “Being Women in Japan, 1970 - 2000”, in Women in Asia: Tradition, Modernity and Globalisation, ed. Louise Edwards and Mina Roces (Sydney: Allen & Unwin, 2000). 148 Elise K. Tipton, op. cit., p. 211. 149 Ibid., p. 213. 150 Ibid., p. 211. 151 Ibid., p. 208. 152 Ibid., p. 213. 153 Ministry of Internal Affairs and Communications, “Statistical Handbook of Japan: Chapter 2, Population”, http://www.stat.go.jp/english/data/handbook/c02cont.htm (accessed March 28, 2009). 154 Tamiko Yamakawa, in Japanese Women Now II, English Discussion Society (Kyoto: Women’s Bookstore Shoukadoh, 1996), p. 4. 155 Ministry of Internal Affairs and Communications, op. cit. 156 Deborah Cameron, “Where There’s a Frill, There’s a Way to Keep Men at Bay”, The Sydney Morning Herald, July 29, 2006. 157 Yasuko Aobuchi, in Japanese Women Now II, English Discussion Society (Kyoto: Women’s Bookstore Shoukadoh, 1996), pp. 6 – 7. 158 Tamiko Maruyama, in Japanese Women Now II, English Discussion Society (Kyoto: Women’s Bookstore Shoukadoh, 1996), p. 2. 159 Ibid. 160 Elise K. Tipton, op. cit., p. 213. 161 Ibid. 162 Ruth Benedict, The Chrysanthemum and the Sword: Patterns of Japanese Culture (1967; repr., London and Henley: Routledge & Kegan Paul, 1977), p. 37. 163 Ibid., p. 179. 164 Ibid. 165 Ibid. 166 Ibid., p. 37. 167 Ibid., p. 192. 168 Ibid. 169 Ibid. 170 Ibid. 171 Ritsuko Matsumura, in Japanese Women Now II, English Discussion Society (Kyoto: Women’s Bookstore Shoukadoh, 1996), p. 20. 172 Ibid. 173 Alicia Kirby, op. cit. 174 Deborah Cameron, op. cit. 175 Hannah J. L. Feldman, op. cit., p. 54. Page | 279
176 Ibid., p. 55. 177 Ibid., p. 54. 178 Ibid. 179 Ibid. 180 Ibid. 181 Deborah Cameron, op. cit. 182 Jacqueline Banerjee, “Ideas of Childhood in Victorian Children’s Fiction: The Child as Innocent”, The Victorian Web: Literature, History, & Culture in the Age of Victoria, http://www.victorianweb.org/genre/childlit/childhood1.html (accessed April 10, 2011). 183 Hugues Lebailly, “Dodgson and the Victorian Cult of the Child: A Reassessment on the Hundredth Anniversary of ‘Lewis Carroll’s’ Death”. Contrariwise, http://contrariwise.wildreality.net/articles/Charles Dodgson And The Victorian Cult of the Child.pdf (accessed April 10, 2011); citing Jackie Wullschlager, Inventing Wonderland: The Lives and Fantasies of Lewis Carroll, Edward Lear, J. M. Barrie, Kenneth Grahame and A. A. Milne (London: Methuen, 1995), p. 12. 184 Ibid. 185 Stephanie Lovett Stoffel, Lewis Carroll and Alice (London: Thames and Hudson, 1997), pp. 40 – 41, & 46. 186 Hugues Lebailly, “Dodgson and the Victorian Cult of the Child: A Reassessment on the Hundredth Anniversary of ‘Lewis Carroll’s’ Death”. Contrariwise, http://contrariwise.wildreality.net/articles/Charles Dodgson And The Victorian Cult of the Child.pdf (accessed April 10, 2011). 187 Jacqueline Banerjee, op. cit. 188 Hannah J. L. Feldman, op. cit., p. 55. 189 Hugues Lebailly, op. cit. 190 Hannah J. L. Feldman, op. cit., p. 55. 191 Ibid. 192 Ibid. 193 Eric Talmadge, “Japan’s Lolitas Seek Non-conformity through Cuteness”, Chicago Tribune, August 18, 2008. 194 Ibid. 195 See Novala Takemoto, Kamikaze Girls (Shimotsuma Monogatari, 2002), trans. Akemi Wegmüller (San Francisco: VIZ Media LLC, 2006). 196 Deborah Cameron, op. cit. 197 Ibid. 198 Ginny Parker, op. cit. 199 Ibid. 200 Jane Pinckard, “Playing Dress Up”, Zine, July, 2003. 201 Ibid. Page | 280
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SCHOOL OF ART AND DESIGN A thesis s
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Contents Attestation of Authorship
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3.12 The Means to Shock 235 Conclus
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Figure 9: Paul Michael Moon Rogers,
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Figure 26: Claude Monet, Waterlilie
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Figure 43: Yu~Ki, bassist for Malic
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Figure 65: Suigintou, Rozen Maiden
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Figure 83: Lolicon, http://blogs.ne
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on the Lolita subculture that we wo
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methodological approach relates clo
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What is the Lolita Subculture? The
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Image removed according to copyrigh
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Taking into consideration the styli
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established trajectories, and rewri
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. How the subculture is perceived b
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The Literature As the Lolita subcul
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My methods for compensating for a l
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and Louise Edwards, “Contesting G
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make it my next major research proj
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That is, I deal with the Abstract a
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Adams’ particular definition of t
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Online Communities My involvement i
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Doll Collecting I have been a doll
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After moving back to Sydney tempora
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The Lolita Complex A Japanese Fashi
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So-called Lolita * The Lolita Subcu
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Though reasons for adopting the Lol
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The Lolita Fashion Identity Since t
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A true Gothic Lolita thus adheres t
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The Gothic Lolita will usually wear
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The Sweet Lolita In a sense the tru
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If the Sweet Lolita’s dress is no
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Figure 14: Kathryn Hardy Bernal (we
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Given that Mana branded his collect
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Japan and the Western World Critics
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Early Encounters in Art & Design Be
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The shift in these dynamics occurre
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Court superseded Pugin’s stall as
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One of the finest examples of Anglo
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In 1888, the renowned department-st
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According to Richard Cork and the m
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entire wardrobe of Kansai designs.
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Merry Christmas, Mr Lawrence is kno
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It was, though, with the Yellow Mag
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These designers, especially Kawakub
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In observing these images it is app
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As discussed, Visual kei is the mus
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However, the authentic Gothic Lolit
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During the Taishō era (1912 - 1926
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with English subtitles in 2006. Whi
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Lolita and Popular Culture Besides
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illustration, is closely related to
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wider, “European” eyes, as well
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Chapter Two The Japanese Lolita: A
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commonly held sensibility not only
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Hina-Matsuri The Significance of Ni
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Bunraku Another tradition, bunraku
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Kitano’s Dolls Three tragedies, b
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[They] became especially popular du
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have taken on certain attributes of
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dolls) that had been delivered to J
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Hearn was struck by the realism and
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The impulse to collect… makes sen
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Pearce reiterates this notion of lo
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A Means to Escape the Real World I
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These pressures, combined with the
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For the Gothloli, this special priv
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Kawaii does not, therefore, transla
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childish objects; and the idea that
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A potential explanation for the see
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Masanobu Sugatsuke, editor of Compo
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There are several areas of concern
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Chapter Three: Challenging The Loli
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young woman, my claim is that the G
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“Kasutei” chooses the Lolita st
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In my honest opinion she was nothin
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That the Gothloli is not willing to
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This, argues Hasegawa, has caused
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those Japanese still influenced by
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Being a Woman in Japan As also disc
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The Shifting Position of Woman in C
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Year Changes of Mothers’ Age at C
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The Position of Woman in Historical
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Lolita as a New Form of Feminist Re
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In reference to the Japanese moveme
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To the Victorians, the Child was a
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Says “Loli-Bee”: Some people th
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That men are largely not attracted
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Lolita as a Radical Subculture In a
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Yuniya Kawamura highlights Dick Heb
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Resisting the Power of Pornography
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While examples of lolicon and or he
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The lolicon is also yet another pro
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understand that photographs of them
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The Gothloli expects and can feel p
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Writes Henville (somewhat contradic
Page 229 and 230: There is also much to be said in th
Page 231 and 232: notion that the fetishised French-m
Page 233 and 234: calling Hime Your Royal Highness or
Page 235 and 236: the rong [sic] age”. * And simila
Page 237 and 238: Just as she takes on the identity o
Page 239 and 240: pornographic activity is not openly
Page 241 and 242: Little Girl: “Don’t try to play
Page 243 and 244: Is this the Beginning or the End? O
Page 245 and 246: In 2003, the Japanese Lolita subcul
Page 247 and 248: and youth (post-school-aged) commun
Page 249 and 250: The question Chuang and I raised wa
Page 251 and 252: Just as the Aoki Sydney Powerhouse
Page 253 and 254: dresses we bought in Japan. The fin
Page 255 and 256: But, is this the end or just the be
Page 257 and 258: Anonymous. “Japanese Youth Subcul
Page 259 and 260: Chuang, Bevan K. Y., and Kathryn A.
Page 261 and 262: Giamo, Benedict. “The Myth of the
Page 263 and 264: Ivy, Marilyn. Discourses of the Van
Page 265 and 266: Lambourne, Lionel. The Aesthetic Mo
Page 267 and 268: Muramoto, Hiro. “Japan’s Gothic
Page 269 and 270: Pooke, Grant and Diana Newall. “P
Page 271 and 272: Spooner, Catherine. Fashioning Goth
Page 273 and 274: Wilcox, Claire. Vivienne Westwood.
Page 275 and 276: 22 Ibid. 23 Britannia Online Encycl
Page 277 and 278: 78 Frederick Hadland Davis, op. cit
Page 279: 118 Yuniya Kawamura, op. cit., p. 3
Page 283: 224 Jane Pinckard, op. cit. 225 Ibi
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