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The Lolita Complex: - Scholarly Commons Home

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and formalised the Gothic and <strong>Lolita</strong>-like image, as well as the Gothic <strong>Lolita</strong><br />

title with his EGL range in 1999, it could be deduced that he was the<br />

originator of both the term and the style. In any case, even if not the<br />

inventor of <strong>Lolita</strong> fashion, Mana, as the first celebrity to embody the<br />

Gothloli image, can be identified as the motivator of the <strong>Lolita</strong> movement<br />

as a subculture.<br />

Considering that “Gothic <strong>Lolita</strong> fashion has been one of the most<br />

popular looks in the Harajuku area since 1999”, 14 the same year that Mana<br />

created his fashion label, he may be implicated in the momentum of its<br />

popularity but certainly he is responsible for the actual following which goes<br />

back further to the early-nineties Mizer years. While Mana took advantage of<br />

his popularity by commercialising, marketing and capitalising on his own<br />

image through his company Moitié, the inception of <strong>Lolita</strong> as a craze was the<br />

adoption of his style by fanatical young women supporters.<br />

Says Suzuki, “not only did fans copy his clothes, they mimicked his<br />

every word and gesture, adopting his gentility. Mana was the Gothloli<br />

fashion world’s leader”. 15 By the culmination of Malice Mizer’s success and<br />

eventual disbanding in 2001, the Gothloli identity was fully formulated and<br />

Mana had largely if not absolutely created the impetus for a fully-fledged<br />

subcultural movement.<br />

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