The Lolita Complex: - Scholarly Commons Home

Figure 65: Suigintou, Rozen Maiden Träumend anime still, 2004.
http://anime-club.mindenkilapja.hu/gallery/19814617/renderimage/7179933/
Figure 66: Princess Resurrection anime still, Ep. 1: Princess Resurrection, 2007.
http://thegeereview.com/2008/06/anime-princess-resurrection/
Figure 67: Princess Resurrection graphic-novel manga, Chap. 1: Princess Resurrection, Vol. 1,
2007.
Figure 68: Princess Ai graphic-novel manga, Chap. 15, Vol. 3: Evolution, 2006.
Figure 69: Princess Ai graphic novel manga, coloured insert page, 2006.
http://animekawaiiimages.blogspot.com/2009/06/princess-ai.html
Figure 70: Nori Tomizaki, Strings, digital painting, c. 2004 – 2006. In Ricorico
(Yuri Okamoto and Rico Komanoya). Gothic Lolita Punk: A Stunning
Showcase of the Cutting-edge Work from the Best Gothic Lolita Artists Working
Today. Translated by Toru Moriya and Corene Cook. New York: Harper
Collins, p. 141.
Figure 71: Nori Tomizaki, Kyuutai Kansetsu Shiki (ball-jointed type): Tomoe 2
(photographer Asuka Ishii, model Tomoe), digitally manipulated
photograph, c. 2004 – 2006. In Ricorico (Yuri Okamoto and Rico
Komanoya). Gothic Lolita Punk: A Stunning Showcase of the Cutting-edge Work
from the Best Gothic Lolita Artists Working Today. Translated by Toru Moriya
and Corene Cook. New York: Harper Collins, p. 153.
Figure 72: Masayuki Yoshinaga, Toma (age 22), Classic Lolita (wearing her own designs for
herself and her Super Dollfie, for her label Dowakan Mother Goose), on the
overbridge above the Jingu Bashi, Harajuku, Tokyo, Japan. In Masayuki
Yoshinaga and Katsuhiko Ishikawa, Gothic & Lolita (London: Phaidon,
2007).
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