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The Lolita Complex: - Scholarly Commons Home

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young woman, my claim is that the Gothloli can be interpreted as<br />

representing, simultaneously, the Perpetual Child and the Sexualised Child<br />

and, therefore, there is an apparent semiotic conflict between the desire to<br />

retain childhood innocence and being or becoming sexually active.<br />

As the Gothloli image subconsciously recalls that moment whereby<br />

sexual awakening is mingled with the sensation that innocence has been lost,<br />

it can also be associated with a fear of or at least apprehension about<br />

sexuality. In wanting to be seen as a child and hence projecting her<br />

resistance to growing up, I believe that the Gothloli is refusing to become<br />

sexual and or be sexualised.<br />

I would also argue that the appearance of the Gothloli is not<br />

consciously sexual. Sheila Burgel supports this by highlighting the Gothloli’s<br />

“almost pathological obsession with modesty and the minutiae of etiquette”<br />

that sits happily alongside a notion of “Queen Victoria’s strict moral<br />

code”. 135 Many <strong>Lolita</strong>, all around the world, in fact choose this manner of<br />

dress because they view it as modest and refined, which allows them to feel<br />

pretty and elegant and at the same time non-sexual.<br />

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