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The Lolita Complex: - Scholarly Commons Home

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identity. My experiences with Gothloli, whether Japanese or of another<br />

nationality, via personal or online discussions, is that they invariably include<br />

the word “cute”, or “kawaii”, when explaining what they like about and or<br />

how they perceive the <strong>Lolita</strong> style. For example, 15-year-old “Tempest<br />

Paige” from New York says that she is attracted to the Gothloli image<br />

because “it’s cute and sweet”. * Even when contemplating why it may have<br />

been termed <strong>Lolita</strong>, she suggests that “it was a cute name, maybe”. †<br />

But there is more to the Gothloli identity than being cute. As Yuko<br />

Hasegawa writes:<br />

<strong>The</strong> concept of kawaii includes elements such as “cute”, “pretty” and “lovely” but<br />

is not restricted to these. It also implies something precious, something that we are<br />

drawn towards… which stimulates one’s feeling of wanting to protect something<br />

that is pure and innocent. 110<br />

And the term “kawaisa” also means more than “cuteness”. Aoyagi claims<br />

that it derives from an understanding of something “pitiable” and connotes<br />

a “vulnerability of the subject”. 111<br />

<strong>The</strong> “pure and innocent” Gothloli persona is related to all of these<br />

aspects, in the wish to protect and prolong the precious childhood state to<br />

which she is drawn; the subsequent attachment to pure and innocent<br />

* Personal communication between “Angelic <strong>Lolita</strong>” and “Tempest Paige” (New York, New York)<br />

on MySpace, www.myspace.com/botticelliangel_nz, 17 January, 2010.<br />

† Ibid.<br />

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