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The Lolita Complex: - Scholarly Commons Home

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<strong>Lolita</strong>, Sexuality and the Symbol of the<br />

Perpetual Child<br />

As discussed in the previous chapter, my analysis is that the Gothloli image<br />

evokes the senses of mourning, memory and loss in relation to childhood<br />

and innocence. This feeling is of course present in the case of the Sweet<br />

<strong>Lolita</strong> or the frilly baby-doll look but is more pronounced with the Gothic<br />

<strong>Lolita</strong> persona who, as I have suggested, in choosing to wear the habit of a<br />

Victorian child in mourning, belies a particular feeling of bereavement in<br />

terms of nostalgia.<br />

Buried within this nostalgic element is the memory of childhood and<br />

the wish to retain it or return to it. In regard to innocence and loss,<br />

however, is the sense, paradoxically, that innocence has in fact been lost,<br />

reflected in the desire to get it back.<br />

<strong>The</strong> most popular age group for participation in the <strong>Lolita</strong> movement<br />

is adolescence or young adulthood, a phase when there is a “sense of<br />

* 134<br />

duality” in regard to “fading innocence and emerging sexuality”.<br />

regard to her appearance as a little girl and at the same time existence as a<br />

* I have taken these quoted phrases from an article by Hellen van Meene on an art exhibition, Viva<br />

<strong>Lolita</strong> (see reference details), curated by James Putnam. Van Meene was referring to the notion of<br />

<strong>Lolita</strong> in the Nabokovian sense, but I have used her language to describe the Japanese <strong>Lolita</strong>, as I<br />

find it apt in this context.<br />

In<br />

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