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The Lolita Complex: - Scholarly Commons Home

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Authors of two other academic articles also separate the <strong>Lolita</strong><br />

movement from sexual connotations while exploring its migration into<br />

cultures outside Japan: Masafumi Monden examines the globalisation of<br />

<strong>Lolita</strong> and views the fashion in a worldwide context as a hybridisation of<br />

Western and Japanese sympathies in “Transcultural Flow… Examining<br />

Cultural Globalisation through Gothic & <strong>Lolita</strong> Fashion” (2008); and<br />

Osmud Rahman, Liu Wing-sun, Elita Lam and Chan Mong-tai observe the<br />

outgrowth of the subculture in Hong Kong in “<strong>Lolita</strong>: <strong>The</strong> Imaginative Self”<br />

(2011).<br />

Several books on Japanese street and subcultural fashions, in general,<br />

emerged in 2007, including Tiffany Godoy’s Style, Deficit Disorder; Philomena<br />

Keet’s Tokyo Look Book; and Macias and Evers’ Japanese Schoolgirl Inferno; each<br />

providing sections on the <strong>Lolita</strong> subculture, although none are substantial. A<br />

magazine article titled “Turning Japanese” by Ella Mudie, published in New<br />

Zealand by Pulp magazine (2008), cites Godoy’s research as well; and Sheila<br />

Burgel’s “Dark and Lovely” in Bust (2007) highlights common perceptions<br />

and misperceptions about the movement.<br />

Terminology connected with the title of “<strong>Lolita</strong>” and the label’s sexual<br />

evocations are investigated in Hannah J. Feldman’s “<strong>The</strong> ‘<strong>Lolita</strong> <strong>Complex</strong>’”<br />

(1992). Another useful source for understanding, historically, the syndrome<br />

known as the “<strong>Lolita</strong> <strong>Complex</strong>” is Stephanie Lovett Stoffel’s biography of<br />

Charles Lutwidge Dodgson, Lewis Carroll and Alice (1997).<br />

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