The Lolita Complex: - Scholarly Commons Home

More documents

Recommendations

Info

Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: II. The Cult of Cuteness”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--Cute.htm (accessed March 13, 2007). Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: III. Lolita Fashion”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--Lolita.htm (accessed March 13, 2007). Tidwell, Christy. “The Fruits of Japanese Fashion: Reading Resistance on the Streets of Harajuku: IV. Gothic Lolita”. 2004. http://www.uta.edu/english/tidwell/ JapaneseFashion/Japanese Fashion--GothicLolita.htm (accessed March 13, 2007). Tipton, Elise K. “Being Women in Japan, 1970 – 2000”. In Women in Asia: Tradition, Modernity and Globalisation, edited by Louise Edwards and Mina Roces, 208 – 228. Sydney: Allen & Unwin, 2000. Van Meene, Hellen. “Group Exhibition: ‘Viva Lolita’, Curated by James Putnam”. http://hellenvanmeene.com/exhibitions/2008/viva-lolita/ (accessed March 19, 2009). Waswo, Ann. Modern Japanese Society: 1868 – 1994. Oxford and New York: Opus, Oxford University Press, 1996. Wheeler, Michael. Heaven, Hell and the Victorians (or Death and the Future Life in Victorian Literature and Theology). Cambridge and New York: Cambridge University Press, 1994. White, Bruce, and Gordon Mathews. “Epilogue: Are Japanese Young People Creating a New Society?”. In Japan’s Changing Generations: Are Young People Creating a New Society?, edited by Gordon Mathews and Bruce White, 189 – 200. London and New York: Routledge/Curzon, 2004. Wickmann, Siegfried. Japonisme: The Japanese Influence on Western Art since 1858. London: Thames and Hudson, 1981. Winge, Theresa. “Costuming the Imagination: Origins of Anime and Manga Cosplay”. In Mechademia 1: Emerging Worlds of Anime and Manga, edited by Frenchy Lunning, 65 – 76. Minneapolis: The University of Minnesota Press, 2006. Page | 271
Wilcox, Claire. Vivienne Westwood. London: V&A Publications, 2004. Wisker, Gina. The Postgraduate Research Handbook: Succeed with your MA, MPhil, EdD, and PhD. 2 nd ed. Houndmills: Palgrave Macmillan, 2008. Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. London, and New York: Routledge, 1991. Yaharta, Yo. “The Dark Subculture of Japanese Youth”. World Press Review 51, no. 4 (April, 2004). http://www.worldpress.org/Asia/1841.cfm (accessed September 4, 2006). Yoshinaga, Masayuri, and Katsuhiko Ishikawa. Gothic & Lolita. London: Phaidon, 2007. Page | 272
Page 1 and 2:
SCHOOL OF ART AND DESIGN A thesis s
Page 3 and 4:
Contents Attestation of Authorship
Page 5 and 6:
3.12 The Means to Shock 235 Conclus
Page 7 and 8:
Figure 9: Paul Michael Moon Rogers,
Page 9 and 10:
Figure 26: Claude Monet, Waterlilie
Page 11 and 12:
Figure 43: Yu~Ki, bassist for Malic
Page 13 and 14:
Figure 65: Suigintou, Rozen Maiden
Page 15 and 16:
Figure 83: Lolicon, http://blogs.ne
Page 17 and 18:
on the Lolita subculture that we wo
Page 19 and 20:
methodological approach relates clo
Page 21 and 22:
What is the Lolita Subculture? The
Page 23 and 24:
Image removed according to copyrigh
Page 25 and 26:
Taking into consideration the styli
Page 27 and 28:
established trajectories, and rewri
Page 29 and 30:
. How the subculture is perceived b
Page 31 and 32:
The Literature As the Lolita subcul
Page 33 and 34:
My methods for compensating for a l
Page 35 and 36:
and Louise Edwards, “Contesting G
Page 37 and 38:
make it my next major research proj
Page 39 and 40:
That is, I deal with the Abstract a
Page 41 and 42:
Adams’ particular definition of t
Page 43 and 44:
Online Communities My involvement i
Page 45 and 46:
Doll Collecting I have been a doll
Page 47 and 48:
After moving back to Sydney tempora
Page 49 and 50:
The Lolita Complex A Japanese Fashi
Page 51 and 52:
So-called Lolita * The Lolita Subcu
Page 53 and 54:
Though reasons for adopting the Lol
Page 55 and 56:
The Lolita Fashion Identity Since t
Page 57 and 58:
Page 59 and 60:
A true Gothic Lolita thus adheres t
Page 61 and 62:
The Gothic Lolita will usually wear
Page 63 and 64:
The Sweet Lolita In a sense the tru
Page 65 and 66:
If the Sweet Lolita’s dress is no
Page 67 and 68:
Figure 14: Kathryn Hardy Bernal (we
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Given that Mana branded his collect
Page 75 and 76:
Japan and the Western World Critics
Page 77 and 78:
Early Encounters in Art & Design Be
Page 79 and 80:
The shift in these dynamics occurre
Page 81 and 82:
Court superseded Pugin’s stall as
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
One of the finest examples of Anglo
Page 89 and 90:
Page 91 and 92:
In 1888, the renowned department-st
Page 93 and 94:
According to Richard Cork and the m
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
entire wardrobe of Kansai designs.
Page 103 and 104:
Merry Christmas, Mr Lawrence is kno
Page 105 and 106:
It was, though, with the Yellow Mag
Page 107 and 108:
These designers, especially Kawakub
Page 109 and 110:
Page 111 and 112:
Page 113 and 114:
In observing these images it is app
Page 115 and 116:
As discussed, Visual kei is the mus
Page 117 and 118:
However, the authentic Gothic Lolit
Page 119 and 120:
During the Taishō era (1912 - 1926
Page 121 and 122:
Page 123 and 124:
with English subtitles in 2006. Whi
Page 125 and 126:
Lolita and Popular Culture Besides
Page 127 and 128:
illustration, is closely related to
Page 129 and 130:
Page 131 and 132:
wider, “European” eyes, as well
Page 133 and 134:
Chapter Two The Japanese Lolita: A
Page 135 and 136:
Page 137 and 138:
commonly held sensibility not only
Page 139 and 140:
Hina-Matsuri The Significance of Ni
Page 141 and 142:
Bunraku Another tradition, bunraku
Page 143 and 144:
Kitano’s Dolls Three tragedies, b
Page 145 and 146:
[They] became especially popular du
Page 147 and 148:
have taken on certain attributes of
Page 149 and 150:
dolls) that had been delivered to J
Page 151 and 152:
Hearn was struck by the realism and
Page 153 and 154:
The impulse to collect… makes sen
Page 155 and 156:
Pearce reiterates this notion of lo
Page 157 and 158:
A Means to Escape the Real World I
Page 159 and 160:
These pressures, combined with the
Page 161 and 162:
For the Gothloli, this special priv
Page 163 and 164:
Kawaii does not, therefore, transla
Page 165 and 166:
childish objects; and the idea that
Page 167 and 168:
A potential explanation for the see
Page 169 and 170:
Masanobu Sugatsuke, editor of Compo
Page 171 and 172:
There are several areas of concern
Page 173 and 174:
Chapter Three: Challenging The Loli
Page 175 and 176:
young woman, my claim is that the G
Page 177 and 178:
“Kasutei” chooses the Lolita st
Page 179 and 180:
In my honest opinion she was nothin
Page 181 and 182:
That the Gothloli is not willing to
Page 183 and 184:
This, argues Hasegawa, has caused
Page 185 and 186:
those Japanese still influenced by
Page 187 and 188:
Being a Woman in Japan As also disc
Page 189 and 190:
The Shifting Position of Woman in C
Page 191 and 192:
Year Changes of Mothers’ Age at C
Page 193 and 194:
The Position of Woman in Historical
Page 195 and 196:
Lolita as a New Form of Feminist Re
Page 197 and 198:
In reference to the Japanese moveme
Page 199 and 200:
Page 201 and 202:
Page 203 and 204:
To the Victorians, the Child was a
Page 205 and 206:
Page 207 and 208:
Says “Loli-Bee”: Some people th
Page 209 and 210:
That men are largely not attracted
Page 211 and 212:
Lolita as a Radical Subculture In a
Page 213 and 214:
Yuniya Kawamura highlights Dick Heb
Page 215 and 216:
Resisting the Power of Pornography
Page 217 and 218:
While examples of lolicon and or he
Page 219 and 220:
Page 221 and 222: The lolicon is also yet another pro
Page 223 and 224: understand that photographs of them
Page 225 and 226: The Gothloli expects and can feel p
Page 227 and 228: Writes Henville (somewhat contradic
Page 229 and 230: There is also much to be said in th
Page 231 and 232: notion that the fetishised French-m
Page 233 and 234: calling Hime Your Royal Highness or
Page 235 and 236: the rong [sic] age”. * And simila
Page 237 and 238: Just as she takes on the identity o
Page 239 and 240: pornographic activity is not openly
Page 241 and 242: Little Girl: “Don’t try to play
Page 243 and 244: Is this the Beginning or the End? O
Page 245 and 246: In 2003, the Japanese Lolita subcul
Page 247 and 248: and youth (post-school-aged) commun
Page 249 and 250: The question Chuang and I raised wa
Page 251 and 252: Just as the Aoki Sydney Powerhouse
Page 253 and 254: dresses we bought in Japan. The fin
Page 255 and 256: But, is this the end or just the be
Page 257 and 258: Anonymous. “Japanese Youth Subcul
Page 259 and 260: Chuang, Bevan K. Y., and Kathryn A.
Page 261 and 262: Giamo, Benedict. “The Myth of the
Page 263 and 264: Ivy, Marilyn. Discourses of the Van
Page 265 and 266: Lambourne, Lionel. The Aesthetic Mo
Page 267 and 268: Muramoto, Hiro. “Japan’s Gothic
Page 269 and 270: Pooke, Grant and Diana Newall. “P
Page 271: Spooner, Catherine. Fashioning Goth
Page 275 and 276: 22 Ibid. 23 Britannia Online Encycl
Page 277 and 278: 78 Frederick Hadland Davis, op. cit
Page 279 and 280: 118 Yuniya Kawamura, op. cit., p. 3
Page 281 and 282: 176 Ibid., p. 55. 177 Ibid., p. 54.
Page 283: 224 Jane Pinckard, op. cit. 225 Ibi
show all

The Lolita Complex: - Scholarly Commons Home

Create successful ePaper yourself

Delete template?

Save as template?