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The Lolita Complex: - Scholarly Commons Home

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Though reasons for adopting the <strong>Lolita</strong> style vary, members of the<br />

movement, whether in Japan or worldwide, are usually dismissive of the<br />

sexualised Nabokovian reference to the subculture’s terminology. Tanya<br />

Godoy claims that the cute <strong>Lolita</strong> look might be considered sexy from a<br />

Western perspective, due to “fixed images that we associate with certain<br />

types” of dress, such as “a doll’s outfit”, but she believes that “once you re-<br />

contextualise it then it takes on a different meaning”. 8<br />

However these two aspects, “cuteness” and “sexiness”, serve to<br />

complicate the <strong>Lolita</strong> phenomenon, invalidating the general opinion that the<br />

movement is meaningless and thus beyond investigative depth. A particular<br />

ramification is the problematic “<strong>Lolita</strong> <strong>Complex</strong>”, a syndrome said to be<br />

widespread in Japan that represents an obsession with little girls and cute,<br />

often sexual, little-girl imagery. <strong>The</strong> existence of this element thus<br />

contradicts and counteracts Godoy’s argument about perception.<br />

<strong>The</strong> <strong>Lolita</strong> subculture, even in the adoption of the name, provokes<br />

discourse not least in connection with the complex and paradoxical issues it<br />

raises. It also makes, both consciously and subliminally, particular<br />

statements about the culture and society from which it is conceived. This<br />

latter aspect is a major focus of this study.<br />

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