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Figure 73: Hina-nagashi. In Wakayama-City, Sight-seeing Guide. Figure 74: Kathryn Adèle Hardy Bernal, Japanese Gothic & Lolita Pullip, Namu and Taeyang Dolls, 2007. My private collection. Figure 75: Hentai Lolicon, http://www.plecomi.net/Fastball-king-hentai-chokudo-kan-pr- 3185.html Figure 76: Thomas Cooper Gotch, My Crown and Sceptre, 1891, http://en.wikipedia.org/wiki/File:Thomas_Cooper_Gotch_- _My_Crown_And_Sceptre_1891.jpg Figure 77: Thomas Cooper Gotch, The Child Enthroned, 1894, http://www.goodart.org/2004/11/gotch-revived.html Figure 78: Charles Lutwidge Dodgson, Evelyn Hatch, 1879. Photograph printed on emulsion on curved glass, overpainted in oil (by an unknown hand). In Stephanie Lovett Stoffel, Lewis Carroll and Alice (London, Thames and Hudson, 1997), p. 47. Figure 79: Charles Lutwidge Dodgson, Alice Pleasance Liddell as a Beggar-child, c. 1850s. In Stephanie Lovett Stoffel, Lewis Carroll and Alice (London, Thames and Hudson, 1997), p. 57. Figure 80: Sir John Tenniel, The White Queen, Lewis Carroll’s Through the Looking Glass: And What Alice Found There, 1871. http://quantumperspectives.blogspot.com/ Figure 81: Angelic Pretty (Japanese label), Alice collection. In Gothic & Lolita Bible 23 (Japan) (Winter, 2006): 40. Figure 82: Mana, musician (Malice Mizer and Moi Dix Mois) and Fashion Designer (Moimême-Moitié). In Gothic & Lolita Bible 14 (Japan) (2004): 16. 147 151 184 198 198 199 200 204 205 211 Page | 13
Figure 83: Lolicon, http://blogs.neoseeker.com/RabidChinaGirl/314-iowa-man-faces-20- years-in-prison-for-loli-manga/ Figure 84: Lolicon, http://www.sankakucomplex.com/2009/05/02/lolicon-stalks-9-year- old-before-i-knew-it-i-was-doing-it/ Figure 85: Lolicon, http://cultureservedraw.blogspot.com/2010/05/chasing-lolita- sexualisation-of-child.html Figure 86: Lolicon, http://littleangelshentai.net/wiki/index.php?title=Lolikon Figure 87: Gothloli Lolicon, http://www.hentai-foundry.com/pic-16377.php Figure 88: Gothloli Lolicon, http://www.crunchyroll.com/forumtopic-142372/do-you-like- lolicons?pg=70 Figure 89: Bevan K. Y. Chuang, Tama and Mae (both age 21), Jingu Bashi, Harajuku, Tokyo, 2007. Figure 90: Princess Resurrection graphic-novel manga (page detail), featuring Hime and Flandre, Chap 2: Princess Destruction, Vol. 1, 2007. 215 216 217 217 218 218 223 230 Page | 14
Page 1 and 2: SCHOOL OF ART AND DESIGN A thesis s
Page 3 and 4: Contents Attestation of Authorship
Page 5 and 6: 3.12 The Means to Shock 235 Conclus
Page 7 and 8: Figure 9: Paul Michael Moon Rogers,
Page 9 and 10: Figure 26: Claude Monet, Waterlilie
Page 11 and 12: Figure 43: Yu~Ki, bassist for Malic
Page 13: Figure 65: Suigintou, Rozen Maiden
Page 17 and 18: on the Lolita subculture that we wo
Page 19 and 20: methodological approach relates clo
Page 21 and 22: What is the Lolita Subculture? The
Page 23 and 24: Image removed according to copyrigh
Page 25 and 26: Taking into consideration the styli
Page 27 and 28: established trajectories, and rewri
Page 29 and 30: . How the subculture is perceived b
Page 31 and 32: The Literature As the Lolita subcul
Page 33 and 34: My methods for compensating for a l
Page 35 and 36: and Louise Edwards, “Contesting G
Page 37 and 38: make it my next major research proj
Page 39 and 40: That is, I deal with the Abstract a
Page 41 and 42: Adams’ particular definition of t
Page 43 and 44: Online Communities My involvement i
Page 45 and 46: Doll Collecting I have been a doll
Page 47 and 48: After moving back to Sydney tempora
Page 49 and 50: The Lolita Complex A Japanese Fashi
Page 51 and 52: So-called Lolita * The Lolita Subcu
Page 53 and 54: Though reasons for adopting the Lol
Page 55 and 56: The Lolita Fashion Identity Since t
Page 57 and 58: Image removed according to copyrigh
Page 59 and 60: A true Gothic Lolita thus adheres t
Page 61 and 62: The Gothic Lolita will usually wear
Page 63 and 64: The Sweet Lolita In a sense the tru
Page 65 and 66:
If the Sweet Lolita’s dress is no
Page 67 and 68:
Figure 14: Kathryn Hardy Bernal (we
Page 69 and 70:
Image removed according to copyrigh
Page 71 and 72:
Page 73 and 74:
Given that Mana branded his collect
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Japan and the Western World Critics
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Early Encounters in Art & Design Be
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The shift in these dynamics occurre
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Court superseded Pugin’s stall as
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One of the finest examples of Anglo
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In 1888, the renowned department-st
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According to Richard Cork and the m
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entire wardrobe of Kansai designs.
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Merry Christmas, Mr Lawrence is kno
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It was, though, with the Yellow Mag
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These designers, especially Kawakub
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In observing these images it is app
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As discussed, Visual kei is the mus
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However, the authentic Gothic Lolit
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During the Taishō era (1912 - 1926
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with English subtitles in 2006. Whi
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Lolita and Popular Culture Besides
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illustration, is closely related to
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wider, “European” eyes, as well
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Chapter Two The Japanese Lolita: A
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commonly held sensibility not only
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Hina-Matsuri The Significance of Ni
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Bunraku Another tradition, bunraku
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Kitano’s Dolls Three tragedies, b
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[They] became especially popular du
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have taken on certain attributes of
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dolls) that had been delivered to J
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Hearn was struck by the realism and
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The impulse to collect… makes sen
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Pearce reiterates this notion of lo
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A Means to Escape the Real World I
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These pressures, combined with the
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For the Gothloli, this special priv
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Kawaii does not, therefore, transla
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childish objects; and the idea that
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A potential explanation for the see
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Masanobu Sugatsuke, editor of Compo
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There are several areas of concern
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Chapter Three: Challenging The Loli
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young woman, my claim is that the G
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“Kasutei” chooses the Lolita st
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In my honest opinion she was nothin
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That the Gothloli is not willing to
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This, argues Hasegawa, has caused
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those Japanese still influenced by
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Being a Woman in Japan As also disc
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The Shifting Position of Woman in C
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Year Changes of Mothers’ Age at C
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The Position of Woman in Historical
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Lolita as a New Form of Feminist Re
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In reference to the Japanese moveme
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To the Victorians, the Child was a
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Says “Loli-Bee”: Some people th
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That men are largely not attracted
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Lolita as a Radical Subculture In a
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Yuniya Kawamura highlights Dick Heb
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Resisting the Power of Pornography
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While examples of lolicon and or he
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The lolicon is also yet another pro
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understand that photographs of them
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The Gothloli expects and can feel p
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Writes Henville (somewhat contradic
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There is also much to be said in th
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notion that the fetishised French-m
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calling Hime Your Royal Highness or
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the rong [sic] age”. * And simila
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Just as she takes on the identity o
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pornographic activity is not openly
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Little Girl: “Don’t try to play
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Is this the Beginning or the End? O
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In 2003, the Japanese Lolita subcul
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and youth (post-school-aged) commun
Page 249 and 250:
The question Chuang and I raised wa
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Just as the Aoki Sydney Powerhouse
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dresses we bought in Japan. The fin
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But, is this the end or just the be
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Anonymous. “Japanese Youth Subcul
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Chuang, Bevan K. Y., and Kathryn A.
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Giamo, Benedict. “The Myth of the
Page 263 and 264:
Ivy, Marilyn. Discourses of the Van
Page 265 and 266:
Lambourne, Lionel. The Aesthetic Mo
Page 267 and 268:
Muramoto, Hiro. “Japan’s Gothic
Page 269 and 270:
Pooke, Grant and Diana Newall. “P
Page 271 and 272:
Spooner, Catherine. Fashioning Goth
Page 273 and 274:
Wilcox, Claire. Vivienne Westwood.
Page 275 and 276:
22 Ibid. 23 Britannia Online Encycl
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78 Frederick Hadland Davis, op. cit
Page 279 and 280:
118 Yuniya Kawamura, op. cit., p. 3
Page 281 and 282:
176 Ibid., p. 55. 177 Ibid., p. 54.
Page 283:
224 Jane Pinckard, op. cit. 225 Ibi
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