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McRobbie, Angela, and Jenny Garber. “Girls and Subcultures (1975)”. In The Subcultures Reader, edited by Ken Gelder and Sarah Thornton, 112 – 120. London and New York: Routledge, 1997. McVeigh, Brian J. “‘Guiding’ Japan’s University Students Through the Generation Gap”. In Japan’s Changing Generations: Are young people creating a new society?, edited by Gordon Mathews and Bruce White, 99 – 117. London and New York: Routledge/Curzon, 2004. Mead, Rebecca. “Letter from Tokyo: Shopping Rebellion; What the Kids Want”. The New Yorker, March 18, 2002. http://www.newyorker.com/archive/2002/03/18/ 020318fa_FACT (accessed September 4, 2006). Miller, Laura. “Youth Fashion and Changing Beautification Practices”. In Japan’s Changing Generations: Are young people creating a new society?, edited by Gordon Mathews and Bruce White, 83 – 97. London and New York: Routledge/Curzon, 2004. Ministry of Internal Affairs and Communications. “Statistical Handbook of Japan: Population”. Shinjuku: Statistics Bureau, Director-General for Policy Planning (Statistical Standards), and Statistical Research and Training Institute. http://www.stat.go.jp/english/ data/handbook/c02cont.htm (accessed March 28, 2009). Mitsunaga, Yasunori. Princess Resurrection. Vol. 1. Translated by Satsuki Yamashita. Adapted by Joshua Hale Fialkov. New York: Ballantyne Books, 2007. Mitsunaga, Yasunori. Princess Resurrection. Vol. 2. Translated by Satsuki Yamashita. Adapted by Joshua Hale Fialkov. New York: Ballantyne Books, 2007. Morley, John. Death, Heaven and the Victorians. London: Studio Vista, 1971. Monden, Masafumi. “Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion”. New Voices 2 (December, 2008): 21 – 40. Morris, Barbara. Liberty Design: 1874 – 1914. New Jersey: Chartwell Books, 1989. Mudie, Ella. “Turning Japanese: Manga Makeover”. Pulp 58 (Winter, 2008): 132 – 139. Page | 265
Muramoto, Hiro. “Japan’s Gothic Take on Lolita”. Calgary Herald, September 30, 2008: D3. Muggleton, David, and Rupert Weinzierl, eds. The Post-subcultures Reader. Oxford and New York: Berg, 2003. Nabokov, Vladimir. The Annotated Lolita. Edited, with preface, introduction and notes by Alfred Appel, Jr. London: Penguin, 2000. Nakamura, Akemi. “No Education, No Employment, No Training: Being NEET Not so Neat for Nation’s Youth”. The Japan Times, June 19, 2004. http://search.japantimes.co.jp/ cgi-bin/news/nn06-2004/nn20040619f2.htm (accessed April 21, 2008). Nakano, Lynne, and Moeko Wagatsuma. “Mothers and Their Unmarried Daughters: An Intimate Look at Generational Change”. In Japan’s Changing Generations: Are young people creating a new society?, edited by Gordon Mathews and Bruce White, 137 – 153. London and New York: Routledge/Curzon, 2004. Napier, Susan Jolliffe. Anime from Akira to Howl's Moving Castle: Experiencing contemporary Japanese Animation. New York: Palgrave Macmillan, 2005. Napier, Susan Jolliffe. “Vampires, Psychic Girls, Flying Women, and Sailor Scouts: Four Faces of the Young Female in Japanese Popular Culture”. In The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Cultures, edited by Dolores P. Martinez, 91 – 109. Cambridge and New York: Cambridge University Press, 1998. Nash, C. Review of Le Portrait de Petite Cossette (DVD). DVD Outsider. http://www.dvdoutsider.co.uk/dvd/reviews/p/portrait_de_petite_cossett.html (accessed July 2, 2009). Nayak, Anoop, and Mary Jane Kehily. Gender, Youth and Culture: Young Masculinities and Femininities. Houndmills and New York: Palgrave MacMillan, 2008. Niessen, Sandra, Ann Marie Leshkowich, and Carla Jones, eds. Re-Orienting Fashion: The Globalization of Asian Dress. New York: Berg, 2003. Page | 266
Page 1 and 2:
SCHOOL OF ART AND DESIGN A thesis s
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Contents Attestation of Authorship
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3.12 The Means to Shock 235 Conclus
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Figure 9: Paul Michael Moon Rogers,
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Figure 26: Claude Monet, Waterlilie
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Figure 43: Yu~Ki, bassist for Malic
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Figure 65: Suigintou, Rozen Maiden
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Figure 83: Lolicon, http://blogs.ne
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on the Lolita subculture that we wo
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methodological approach relates clo
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What is the Lolita Subculture? The
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Image removed according to copyrigh
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Taking into consideration the styli
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established trajectories, and rewri
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. How the subculture is perceived b
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The Literature As the Lolita subcul
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My methods for compensating for a l
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and Louise Edwards, “Contesting G
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make it my next major research proj
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That is, I deal with the Abstract a
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Adams’ particular definition of t
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Online Communities My involvement i
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Doll Collecting I have been a doll
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After moving back to Sydney tempora
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The Lolita Complex A Japanese Fashi
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So-called Lolita * The Lolita Subcu
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Though reasons for adopting the Lol
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The Lolita Fashion Identity Since t
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A true Gothic Lolita thus adheres t
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The Gothic Lolita will usually wear
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The Sweet Lolita In a sense the tru
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If the Sweet Lolita’s dress is no
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Figure 14: Kathryn Hardy Bernal (we
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Given that Mana branded his collect
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Japan and the Western World Critics
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Early Encounters in Art & Design Be
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The shift in these dynamics occurre
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Court superseded Pugin’s stall as
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One of the finest examples of Anglo
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In 1888, the renowned department-st
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According to Richard Cork and the m
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entire wardrobe of Kansai designs.
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Merry Christmas, Mr Lawrence is kno
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It was, though, with the Yellow Mag
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These designers, especially Kawakub
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Page 113 and 114:
In observing these images it is app
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As discussed, Visual kei is the mus
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However, the authentic Gothic Lolit
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During the Taishō era (1912 - 1926
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with English subtitles in 2006. Whi
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Lolita and Popular Culture Besides
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illustration, is closely related to
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wider, “European” eyes, as well
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Chapter Two The Japanese Lolita: A
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commonly held sensibility not only
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Hina-Matsuri The Significance of Ni
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Bunraku Another tradition, bunraku
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Kitano’s Dolls Three tragedies, b
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[They] became especially popular du
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have taken on certain attributes of
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dolls) that had been delivered to J
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Hearn was struck by the realism and
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The impulse to collect… makes sen
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Pearce reiterates this notion of lo
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A Means to Escape the Real World I
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These pressures, combined with the
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For the Gothloli, this special priv
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Kawaii does not, therefore, transla
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childish objects; and the idea that
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A potential explanation for the see
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Masanobu Sugatsuke, editor of Compo
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There are several areas of concern
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Chapter Three: Challenging The Loli
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young woman, my claim is that the G
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“Kasutei” chooses the Lolita st
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In my honest opinion she was nothin
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That the Gothloli is not willing to
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This, argues Hasegawa, has caused
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those Japanese still influenced by
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Being a Woman in Japan As also disc
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The Shifting Position of Woman in C
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Year Changes of Mothers’ Age at C
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The Position of Woman in Historical
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Lolita as a New Form of Feminist Re
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In reference to the Japanese moveme
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To the Victorians, the Child was a
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Says “Loli-Bee”: Some people th
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That men are largely not attracted
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Lolita as a Radical Subculture In a
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Yuniya Kawamura highlights Dick Heb
Page 215 and 216: Resisting the Power of Pornography
Page 217 and 218: While examples of lolicon and or he
Page 219 and 220: Image removed according to copyrigh
Page 221 and 222: The lolicon is also yet another pro
Page 223 and 224: understand that photographs of them
Page 225 and 226: The Gothloli expects and can feel p
Page 227 and 228: Writes Henville (somewhat contradic
Page 229 and 230: There is also much to be said in th
Page 231 and 232: notion that the fetishised French-m
Page 233 and 234: calling Hime Your Royal Highness or
Page 235 and 236: the rong [sic] age”. * And simila
Page 237 and 238: Just as she takes on the identity o
Page 239 and 240: pornographic activity is not openly
Page 241 and 242: Little Girl: “Don’t try to play
Page 243 and 244: Is this the Beginning or the End? O
Page 245 and 246: In 2003, the Japanese Lolita subcul
Page 247 and 248: and youth (post-school-aged) commun
Page 249 and 250: The question Chuang and I raised wa
Page 251 and 252: Just as the Aoki Sydney Powerhouse
Page 253 and 254: dresses we bought in Japan. The fin
Page 255 and 256: But, is this the end or just the be
Page 257 and 258: Anonymous. “Japanese Youth Subcul
Page 259 and 260: Chuang, Bevan K. Y., and Kathryn A.
Page 261 and 262: Giamo, Benedict. “The Myth of the
Page 263 and 264: Ivy, Marilyn. Discourses of the Van
Page 265: Lambourne, Lionel. The Aesthetic Mo
Page 269 and 270: Pooke, Grant and Diana Newall. “P
Page 271 and 272: Spooner, Catherine. Fashioning Goth
Page 273 and 274: Wilcox, Claire. Vivienne Westwood.
Page 275 and 276: 22 Ibid. 23 Britannia Online Encycl
Page 277 and 278: 78 Frederick Hadland Davis, op. cit
Page 279 and 280: 118 Yuniya Kawamura, op. cit., p. 3
Page 281 and 282: 176 Ibid., p. 55. 177 Ibid., p. 54.
Page 283: 224 Jane Pinckard, op. cit. 225 Ibi
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