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Bibliography Ackermann, Peter. “How Japanese Teenagers Cope: Social Pressures and Personal Responses”. In Japan’s Changing Generations: Are young people creating a new society?, edited by Gordon Mathews and Bruce White, 67 – 82. London and New York: Routledge/Curzon, 2004. Adams, Laurie Schneider. The Methodologies of Art: An Introduction. Boulder and Oxford: Westview Press, 1996. Adburgham, Alison. Liberty’s: A Biography of a Shop. London: George Allen and Unwin Ltd, 1975. Ahn, MiHi. “Gwenihana: Gwen Stefani Neuters Japanese Street Fashion to Create Spring’s Must-have Accessory”. Salon, April 9, 2005. http://dir.salon.com/story/ent/feature/ 2005/04/09/geisha/index.html (accessed September 13, 2006). Allen, Matthew, and Rumi Sakamoto, eds. Popular Culture, Globalization, and Japan. New York: Routledge, 2006. Anonymous. “American Fashion Designers turn to Japan for Trends and Inspiration”. Japan Economic Newswire, January 16, 2006. http:// community.livejournal.com/egl/6038481.html (accessed September 13, 2006). Anonymous. “Asia: The Darker Side of Cuteness”. The Economist 351, no. 8118 (May 8, 1999): 32. Anonymous. “The Doll-like Rebellion of Tokyo’s Lolita World”. The New Zealand Herald, August 4, 2008. http://www.nzherald.co.nz/section/6/story.cfm?c_id=6&object= 10525106 (accessed August 4, 2008). Page | 255
Anonymous. “Japanese Youth Subculture Dresses in Pursuit of Cute”. The Augusta Chronicle, August 24, 2008: G3. Anonymous. “Little-girl Goths”. The Dominion Post (New Zealand), April 23, 2007: A1. Anonymous. “Lolita Fashion: An Advanced Form of ‘Kawaii’?”. The Daily Yomiyuri, October 3, 2008. In ProQuest (accessed October 10, 2008). Anonymous. “Murder in Akihabara: Tokyo’s Gaming Mecca Still Reeling from Tragedy”. Electronic Gaming Monthly, no. 232 (September, 2008). In ProQuest (accessed October 3, 2008). Aoki, Shoichi. Fruits. London: Phaidon Press Limited/New York: Phaidon Press Inc., 2003. Aoki, Shoichi. Fresh Fruits. London: Phaidon Press Limited/New York: Phaidon Press Inc., 2006. Aoyagi, Hiroshi. “Pop Idols and Gender Contestation”. In Japan at the Millennium: Joining Past and Future, edited by David W. Edgington, 144 – 167. Vancouver: UBC Press, 2003. Arwas, Victor. The Liberty Style: All Colour Paperback. London: Academy Editions, 1979. Audsley, George Ashdown, and Thomas W. Cutler. The Grammar of Japanese Ornament. New York: Arch Cape Press, 1989. Banerjee, Jacqueline. “Ideas of Childhood in Victorian Children’s Fiction: The Child as Innocent”. The Victorian Web: Literature, History, & Culture in the Age of Victoria, August 13, 2007. http://www.victorianweb.org/genre/childlit/childhood1.html. Benedict, Ruth. The Chrysanthemum and the Sword: Patterns of Japanese Culture (1967). London and Henley-on-Thames: Routledge & Kegan Paul, 1977. Bennett, Andy, and Keith Kahn-Harris. After Subculture: Critical Studies in Contemporary Youth Culture. Houndmills and New York: Palgrave Macmillan, 2004. Page | 256
Page 1 and 2:
SCHOOL OF ART AND DESIGN A thesis s
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Contents Attestation of Authorship
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3.12 The Means to Shock 235 Conclus
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Figure 9: Paul Michael Moon Rogers,
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Figure 26: Claude Monet, Waterlilie
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Figure 43: Yu~Ki, bassist for Malic
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Figure 65: Suigintou, Rozen Maiden
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Figure 83: Lolicon, http://blogs.ne
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on the Lolita subculture that we wo
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methodological approach relates clo
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What is the Lolita Subculture? The
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Image removed according to copyrigh
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Taking into consideration the styli
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established trajectories, and rewri
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. How the subculture is perceived b
Page 31 and 32:
The Literature As the Lolita subcul
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My methods for compensating for a l
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and Louise Edwards, “Contesting G
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make it my next major research proj
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That is, I deal with the Abstract a
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Adams’ particular definition of t
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Online Communities My involvement i
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Doll Collecting I have been a doll
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After moving back to Sydney tempora
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The Lolita Complex A Japanese Fashi
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So-called Lolita * The Lolita Subcu
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Though reasons for adopting the Lol
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The Lolita Fashion Identity Since t
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Page 59 and 60:
A true Gothic Lolita thus adheres t
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The Gothic Lolita will usually wear
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The Sweet Lolita In a sense the tru
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If the Sweet Lolita’s dress is no
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Figure 14: Kathryn Hardy Bernal (we
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Page 71 and 72:
Page 73 and 74:
Given that Mana branded his collect
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Japan and the Western World Critics
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Early Encounters in Art & Design Be
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The shift in these dynamics occurre
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Court superseded Pugin’s stall as
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One of the finest examples of Anglo
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In 1888, the renowned department-st
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According to Richard Cork and the m
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Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
entire wardrobe of Kansai designs.
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Merry Christmas, Mr Lawrence is kno
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It was, though, with the Yellow Mag
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These designers, especially Kawakub
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Page 111 and 112:
Page 113 and 114:
In observing these images it is app
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As discussed, Visual kei is the mus
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However, the authentic Gothic Lolit
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During the Taishō era (1912 - 1926
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with English subtitles in 2006. Whi
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Lolita and Popular Culture Besides
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illustration, is closely related to
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Page 131 and 132:
wider, “European” eyes, as well
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Chapter Two The Japanese Lolita: A
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commonly held sensibility not only
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Hina-Matsuri The Significance of Ni
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Bunraku Another tradition, bunraku
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Kitano’s Dolls Three tragedies, b
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[They] became especially popular du
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have taken on certain attributes of
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dolls) that had been delivered to J
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Hearn was struck by the realism and
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The impulse to collect… makes sen
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Pearce reiterates this notion of lo
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A Means to Escape the Real World I
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These pressures, combined with the
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For the Gothloli, this special priv
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Kawaii does not, therefore, transla
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childish objects; and the idea that
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A potential explanation for the see
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Masanobu Sugatsuke, editor of Compo
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There are several areas of concern
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Chapter Three: Challenging The Loli
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young woman, my claim is that the G
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“Kasutei” chooses the Lolita st
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In my honest opinion she was nothin
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That the Gothloli is not willing to
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This, argues Hasegawa, has caused
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those Japanese still influenced by
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Being a Woman in Japan As also disc
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The Shifting Position of Woman in C
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Year Changes of Mothers’ Age at C
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The Position of Woman in Historical
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Lolita as a New Form of Feminist Re
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In reference to the Japanese moveme
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To the Victorians, the Child was a
Page 205 and 206: Image removed according to copyrigh
Page 207 and 208: Says “Loli-Bee”: Some people th
Page 209 and 210: That men are largely not attracted
Page 211 and 212: Lolita as a Radical Subculture In a
Page 213 and 214: Yuniya Kawamura highlights Dick Heb
Page 215 and 216: Resisting the Power of Pornography
Page 217 and 218: While examples of lolicon and or he
Page 219 and 220: Image removed according to copyrigh
Page 221 and 222: The lolicon is also yet another pro
Page 223 and 224: understand that photographs of them
Page 225 and 226: The Gothloli expects and can feel p
Page 227 and 228: Writes Henville (somewhat contradic
Page 229 and 230: There is also much to be said in th
Page 231 and 232: notion that the fetishised French-m
Page 233 and 234: calling Hime Your Royal Highness or
Page 235 and 236: the rong [sic] age”. * And simila
Page 237 and 238: Just as she takes on the identity o
Page 239 and 240: pornographic activity is not openly
Page 241 and 242: Little Girl: “Don’t try to play
Page 243 and 244: Is this the Beginning or the End? O
Page 245 and 246: In 2003, the Japanese Lolita subcul
Page 247 and 248: and youth (post-school-aged) commun
Page 249 and 250: The question Chuang and I raised wa
Page 251 and 252: Just as the Aoki Sydney Powerhouse
Page 253 and 254: dresses we bought in Japan. The fin
Page 255: But, is this the end or just the be
Page 259 and 260: Chuang, Bevan K. Y., and Kathryn A.
Page 261 and 262: Giamo, Benedict. “The Myth of the
Page 263 and 264: Ivy, Marilyn. Discourses of the Van
Page 265 and 266: Lambourne, Lionel. The Aesthetic Mo
Page 267 and 268: Muramoto, Hiro. “Japan’s Gothic
Page 269 and 270: Pooke, Grant and Diana Newall. “P
Page 271 and 272: Spooner, Catherine. Fashioning Goth
Page 273 and 274: Wilcox, Claire. Vivienne Westwood.
Page 275 and 276: 22 Ibid. 23 Britannia Online Encycl
Page 277 and 278: 78 Frederick Hadland Davis, op. cit
Page 279 and 280: 118 Yuniya Kawamura, op. cit., p. 3
Page 281 and 282: 176 Ibid., p. 55. 177 Ibid., p. 54.
Page 283: 224 Jane Pinckard, op. cit. 225 Ibi
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