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The Lolita Complex: - Scholarly Commons Home

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members, particularly the marketing department, who ran with the idea that<br />

the <strong>Lolita</strong> movement was a thriving subculture in Auckland. While it existed<br />

here it was by no means vibrant. <strong>The</strong>re was a group of us who were at the<br />

time dressing up, meeting up and continue to do so. But this is still a small<br />

collection of women who are part of the larger Goth community.<br />

On the last Sunday night of every month the Goths of Auckland attend<br />

the Church, a themed event at a local nightclub, for which I am one of the<br />

administrators. This is now generally the only time that some of us dress in<br />

the <strong>Lolita</strong> style. A few girls get together at my place, very occasionally, and<br />

play with my dolls, which has encouraged some of my friends to become<br />

doll collectors. We have also participated in festivals, such as the Taste of<br />

Japan, the Japan Festival and Japan Day, performing in runway shows as<br />

Gothloli. And I have lent my <strong>Lolita</strong> wardrobe to the local singer-songwriter<br />

Plum Green, a fan of the style herself, to dress models who performed in a<br />

recent shooting of one of her music videos. In regard to the availability of<br />

fashion, most girls buy Japanese brands online or create garments<br />

themselves, although there are a few stores in Auckland that sell authentic<br />

pieces of <strong>Lolita</strong> clothing, and there is still just one successful local designer<br />

who refers to herself as a Gothic <strong>Lolita</strong>, Kath Bridges of the label Kitty<br />

Bridges, who I mentioned in the body of my thesis. But, there is no <strong>Lolita</strong><br />

“scene” in New Zealand, in Auckland or elsewhere. <strong>Lolita</strong> do not<br />

congregate in large groups anywhere here as they do in Japan, or the US,<br />

Paris or Baden-Württemberg.<br />

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