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The Lolita Complex: - Scholarly Commons Home

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In my honest opinion she was nothing [sic] of [either of] them! She was a lonely girl<br />

without a family. She didn’t want to mislead Humbert [the older male<br />

protagonist]…. She realized that she gets what she wants if she does what Humbert<br />

wants of her. [But], especially in [sic] the end of the novel it gets clear that she never<br />

wanted a romantic relationship with him… Because of… that I wonder why<br />

people think that <strong>Lolita</strong> has a negative connotation. *<br />

In other words, although there is this perception that the <strong>Lolita</strong> “wants to<br />

attract older guys” – an association that stems from a particular reading of<br />

the sexual relationship between Nabokov’s <strong>Lolita</strong> and her “guardian”,<br />

Humbert Humbert, and subsequently becomes implied in the <strong>Lolita</strong><br />

subculture – a thorough understanding of the novel reveals that the<br />

Nabokovian <strong>Lolita</strong> was a victim of statutory rape and, therefore, neither she<br />

nor her namesake, the Gothloli, should be seen in either a derogatory light<br />

or as inviting this reputation. I agree with “Duplica” when she says that the<br />

†<br />

“problem is just [in] the [mis]interpretation of the book”.<br />

<strong>The</strong>se misunderstandings in regard to Nabokov’s novel, and indeed the<br />

character of <strong>Lolita</strong> herself, feed misinterpretations of the motivations behind<br />

participation in the Japanese <strong>Lolita</strong> movement, especially in regard to<br />

intentions. <strong>The</strong> Gothloli’s desire to be seen as a child and her refusal to<br />

grow up, I maintain, should be read as a reluctance to become sexual. <strong>The</strong><br />

choice to engage in the <strong>Lolita</strong> subculture is, therefore, a means of drawing<br />

* Ibid.<br />

† Ibid.<br />

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