Etnografías de lo digital - UNED

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III Congreso Online - Observatorio para la Cibersociedad ‘Conocimiento abierto, Sociedad libre’ 58 Etnografías de lo Digital Grupo de trabajo GOLDMAN-SEGALL, Ricki, «Gender and digital media in the context of a middle school science project» in http://www.ncsu.edu/meridian/jan98/feat_3/gender.html. Consultado em [05/01/2005]. GOSCIOLA, Vicente, 2003, Roteiro para as novas mídias, São Paulo: SENAC GRIMSHAW, Anna, 2001, The Etnhographer’s Eye, ways of seeing in modern anthropology, Cambridge: University Press. GSARIAN, Christian, 2002, De L’Ethnographie à l’Anthropologie Réflexive, Paris: Armand Colin. HINE, Christine, 2000, Virtual ethnography, Londres: Sage Publications. HOCKINGS, Paul (ed.), 1995, Principles of Visual Anthropology, New York: Mouton de Gruyter. JENKINS, Henri, 2003, «The work of Theory in the Age of Digital Transformation» in http://web.mit.edu/21fms/www/faculty/henry3/pub/digitaltheory.htm, consultado em [05/11/2004], e em MILLER, Toby e STAM, Robert (2003), A Companion to Film theory, Oxford: Blackwell Publisher. JOHNSON, Steven (2001), Cultura da Interface, Rio de Janeiro: Jorge Zahar Editor. KILANI, M., 1995, L’Invention de l’Autre, essais sur le discours anthropologique, Editions Payot, Lausanne. LAPLANTINE, François, 1996, La Description Ethnographique, Paris: Nathan. LAVE, J., 1988, Cognition in Practice: Mind, mathematics and culture in everyday life. Cambridge USA: Cambridge University Press. LAVE, J., & WENGER, Etienne, 1991, Situated learning: legitimate peripheral participation.Cambridge, USA: Cambridge University Press. MACDOUGALL, David, 1998, Transcultural cinema, Princeton: Princeton University Press. MANOVICH, Lev, 2002, La vanguardia como software, http://www.uoc.edu/artnodes/esp/art/manovich1002/manovich1002.html. Consultado em [05/11/2006]. MARCUS, George E., 1995, «The modernist sensibility in recent ethnographic writing and the cinematic metaphor of montage» in Leslie Devereaux, Roger Hillman (eds.), Fields of Vision, essays in film studies, visual anthropology, and photography: 35-55. MARCUS, Georges e FISCHER, Michael, 2000, La Antropología como Crítica Cultural, un momento experimental en las ciencias humanas, Buenos Aires: Color Efe. MASON, Bruce e DICKS, Bella, «The digital ethnographer» in http://web.tiscali.it/antropologiavisiva/papersinrete.htm. Consultado em [05/11/2006]. MEAD, Margaret, 1979, «L'anthropologie visuelle dans une discipline verbale» in Cahiers de l'Homme, pour une anthropologie visuelle: 13-20. MIGNOT-LEFEBVRE, Yvonne, 1999, «Fils de vies: du fil au multimédia» in Xoana, Images et Sciences Sociales, Paris: Jean Michel Place, 35-42 MIRZOEFF, Nicholas, 1999, An Introduction to Visual Culture, London: Routledge.
III Congreso Online - Observatorio para la Cibersociedad ‘Conocimiento abierto, Sociedad libre’ 59 Etnografías de lo Digital Grupo de trabajo MITCHELL, W.J.T., «Mostrando el ver: una crítica de la cultura visual» in http://www.estudiosvisuales.net/pdf_no_suscriptores/mitchell.pdf. Consultado em [05/11/2006]. MITCHELL, W.J.T., 2002, E-topias, São Paulo: SENAC. MURRAY, Janet H., 2003, Hamlet no Holodeck, o futuro da narrativa no ciberespaço, São Paulo: UNESP Editora. PIAULT, Marc-Henri, 1992, «Du colonialisme à l’échange. Demain, le cinéma ethnographique?» in CinémAction, 64:58-65. PIAULT, Marc-Henri, 1992, «Eléments pour une banque de données en anthropologie visuelle» in Journal des Anthropologues, 47,48:191-200. PIAULT, Marc-Henri, 2000, Anthropologie et Cinéma, Paris: Nathan Cinéma. PINNEY, Christopher, 1992, «The parallel histories of anthropology and photography» in Anthropology & Photography 1860-1920:74-95. RHEINGOLF, Howard, 2004, Multitudes Inteligentes, Barcelona: Gedisa. RIBEIRO, José da Silva, 2005, Antropologia Visual e Hipermédia, São Paulo – Porto: NuPH, PUC-SP e LabAV-Univ-Ab. RIBEIRO, José da Silva, 2004, Antropologia Visual, da minúcia do olhar ao olhar distanciado Porto: Edições Afrontamento. RUBY, Jay, 1980, «Exposing yourself: reflexivity, anthropology and film» in Semiotica, 3[1-2]:153-179 ou in http://astro.temple.edu/~ruby/ruby/exposing.html. Consultado em [20/11/2005]. RUBY, Jay, 1991, «Speaking For, speaking About, speaking with, or speaking alongside: An anthropological and documentary dilemma» in Visual Anthropology Review, Vol. 7, No. 2:50-67. MARESCA, Sylvain, 1996, La Photographie, un miroir des sciences sociales, Paris: L’Harmattan. SHNEIDERMAN, Bem, 2006, O Laptop de Leonardo, Rio de Janeiro, Nova Fronteira. SNOW, CP., 1959, "Los intelectuales, luditas por antonomasia", en Las dos culturas y un segundo enfoque, Madrid: Alianza, 1977. STAM, Robert, 1997, Tropical Multiculturalism. A comparative history of race in brazilian cinema and culture, Durham, London: Duke University Press. TAYLOR, Lucien (ed.), 1994, Visualizing Theory, selected essays from V.A.R., 1990- 1994, New York and London: Routledge. TOMAS, David, 1994, «Manufacturing Vision» in Lucien Taylor (ed.), Visualizing Theory, Selected Essays from V.A.R., 1990-1994: 271-286, New York and London: Routledge. WENGER, Etienne, 1998, Communities of Practice: learning, meaning and Identity. Cambridge, USA: Cambridge University Press. WINNER, Langdon, 1995, «Who Will We Be in Cyberspace?» The Network Observer, 2,9, September.
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