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Volume 3 - Jonas Mekas - Via: Ed. Alápis

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Bibliografia e referências bibliográficas<br />

204<br />

ABBOT, H. Porter. Diary Fiction: Writing as Action.<br />

Ithaca: Cornell University Press, 1984.<br />

BARTHES, Roland. Roland Barthes by Roland Barthes. Nova York: Hill and Wang, 1977.<br />

BRUSS, Elizabeth. Eye for I: Making and Unmaking Autobiography in Film.<br />

In: OLNEY, James. Autobiography: Essays Theoretical and Critical.<br />

Princeton: Princeton University Press, 1980.<br />

BÜRGER, Peter. Theory of the Avant-Garde.<br />

Minneapolis: University of Minnesota Press, 1984.<br />

CAMERON, Sharon. Writing Nature: Henry Thoreau`s Journal.<br />

Nova York: Oxford Press, 1985.<br />

CAMPER, Fred. Some Notes on the Home Movie.<br />

In Journal of Film and Video, 38, nº 3-4, 1986.<br />

CAVELL, Stanley. The Senses of Walden. Nova York: Viking Press, 1972.<br />

CHALFDEN, Richard. Cinema Naivete: A Study of Home Moviemaking as Visual<br />

Communication. In Studies in the Anthropology of Visual Communication,<br />

2, 1975. pp. 87-103.<br />

CREELEY, Robert. A Day Book. Nova York: Scribness, 1972.<br />

CURTIS, David. Experimental Cinema. Nova York: Delta Books, 1971.<br />

DEREN, Maya. Cinematography: The Creative Use of Reality.<br />

Daedalus, 1960. pp. 150-67.<br />

______. Amateur versus Professional. Film Culture, nº 39, 1965, pp. 45-46.<br />

DORN, <strong>Ed</strong>. From The Day and the Night Book. In: CLARK, Tom (org).<br />

All Stars. Nova York, Grossman, 1972.<br />

DUPLESSIS, Rachel. For the Etruscans: Sexual Difference and Artistic Production –<br />

The Debate Over a Female Aesthetic. In: EISENSTEIN, Hester; JARDINE, Alice<br />

(orgs). The Future of Difference. New Brunswick: Rutgers University Press, 1985.<br />

EAKIN, Paul John. Fictions in Autobiography: Studies in the Art of Self-Invention.<br />

Princeton: Princeton University Press, 1985.<br />

EMERSON, Ralph Waldo. Nature, Addresses, and Lectures.<br />

Boston: Houghton Mifflin, 1885.<br />

FILM-MAKERS’ COOPERATIVE. Film-Makers’ Cooperative Catalogue.<br />

Nova York: Film-Makers’ Cooperative, 1989.<br />

FOTHERGILL, Robert A. Private Chronicles: A Study of English Diaries.<br />

Londres: Oxford University Press, 1974.<br />

GINSBERG, Allen. Indian Journals. São Francisco: City Lights, 1970.<br />

______. The fall of the America: Poems of These States.<br />

São Francisco: City Lights, 1972.<br />

GUSDORF, Georges. Conditions and Limits of Autobiography.<br />

In: OLNEY, James. Autobiography: Essays Theoretical and Critical.<br />

Princeton: Princeton University Press, 1956.<br />

JAMES, David E. Allegories of Cinema: American Film in the Sixties.<br />

Princeton: Princeton University Press, 1989.<br />

KING, Graham. Say “Cheese!”. The Snapshot as Art and Social History.

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