16.07.2013 Views

Louise Mazanti Afhandling - Center for Designforskning

Louise Mazanti Afhandling - Center for Designforskning

Louise Mazanti Afhandling - Center for Designforskning

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Muthesius, Stefan (1998). ”Handwerk/Kunsthandwerk”. Journal of Design History, vol.<br />

11, number1.<br />

Niedderer, Kristina (2005). Exploring the Expressive Potential of Function. Craft in Dialogue.<br />

Six Views on a Practice in Change. Stockholm: Craft in Dialogue/IASPIS.<br />

Nissen, Kirsten (2001). ”Stof til eftertanke”. Atelier 5 ½, (Red. Karsten Orth og Lene<br />

Burchard). Udstillingskatalog. Odense: Kunsthallen Brandts Klædefabrik.<br />

Noever, Peter (ed.) (2002). Vienna By MAK. Vienna: Prestel Verlag.<br />

Nygaard, Tine (2005). ”Også teori er magt”. Fokus, nr. 2, 2005.<br />

Ortega y Gasset, José (1925). ”La deshumanización del arte e ideas sobre la novela”.<br />

Her citeret fra den danske oversættelse: Menneskets <strong>for</strong>drivelse fra kunsten. København:<br />

Gyldendals Uglebøger, 19 0, p. 2 - 5.<br />

Orth, Karsten og Lene Burchard (Red.) (2001). ”Snuden i sporet”. Atelier 5 ½.<br />

Udstillingskatalog. Odense: Kunsthallen Brandts Klædefabrik.<br />

Owens, Craig (1992). Beyond Recognition. Representation, Power and Culture. University of<br />

Cali<strong>for</strong>nia Press.<br />

Pevsner, Nikolaus (193 ). Pioneers of the Modern Movement: From William Morris to Walter<br />

Gropius. Faber & Faber. Udgave fra 1949: Pioneers of Modern Design: From William Morris<br />

to Walter Gropius. New York: Museum og Modern Art. Aktuel udgave: Penguin Books<br />

Ltd.1974.<br />

Poggioli, Renato (19 8). The Theory of the Avantgarde. The Belknap Press of Harvard<br />

University Press.<br />

Preziosi, Donald (1989). Rethinking Art History. Meditations on a Coy Science. New Haven<br />

og London: Yale University Press.<br />

Rasmussen, Jesper (2004). ”Critical Fantasies - On the Art-Antropology-Connexion in<br />

Contemporary Art and Criticism. Upubliceret paper.<br />

Rasmussen, Inger Johanne (1999). ”Hva er vakkert?”. Kunsthåndverk, nr. 4, 1999.<br />

Reed, Christopher (199 ). Not At Home: The suppression of domesticity in modern art and<br />

architecture. London: Thames and Hudson.<br />

Rowley, Sue (ed.) (1997). Crafts & Contemporary Theory. Australia: Allen & Unwin.<br />

Rowley, Sue (edt.) (1999). Reinventing Textiles. Vol 1: Tradition and innovation. Winchester:<br />

Telos Art Publishing.<br />

Saint-Simon, Claude-Henri de (1820). Oeuvres de Claude-Henri de Saint-Simon. (Paris:<br />

Editions Anthropos, 19 ), VI, 422. Her citeret fra Materi Calinescu (1987). Five Faces of<br />

Modernity. Durham: Duke University Press.<br />

Sandino, Linda (2004). ”Here Today, Gone Tomorrow. Transient Materiality in<br />

Contemporary Cultural Artefacts”. Journal of Design History, vol. 17, no. 3.<br />

Schanz, Hans-Jørgen (199 ). ”Theodor W. Adorno - Modernismens historiefilosofiske<br />

mentor”. Stig Brøgger og Otto Jul Pedersen (red.) (199 ). Kunst og æstetik. København:<br />

Det kgl. danske kunstakademi.<br />

Scheunemann, Dietrich (ed.) (2000). European Avant-garde. New Perspectives. Avantgarde<br />

– Avantgardekritik – Avantgarde<strong>for</strong>schung, Rodopi, Amsterdam – Atlanta, GA: Rodopi.<br />

superobjekter 04.indd 220 08-08-2006 01:44:33<br />

220

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!