Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
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NIRVANA AND ITS REFERENCE<br />
orig<strong>in</strong>al etymological def<strong>in</strong>ition <strong>and</strong> the developed <strong>and</strong> systematised op<strong>in</strong>ion<br />
of their highest goal, nirvana. S<strong>in</strong>ce tak<strong>in</strong>g the word vana, or vAna, to refer<br />
to ‘forest’ or ‘weav<strong>in</strong>g’ was common to both traditions, their search for a<br />
new etymology could probably be regarded as a common phenomenon among<br />
sectarian Buddhist schools. If we take these diverse def<strong>in</strong>itions derived from<br />
a s<strong>in</strong>gle orig<strong>in</strong>al source, it probably started before the separation of the<br />
Sarvastivad<strong>in</strong>s <strong>and</strong> the Vibhajyavad<strong>in</strong>s dur<strong>in</strong>g the reign of the Emperor<br />
Ashoka. By contrast, if we take them as a result of the copy<strong>in</strong>g of each other<br />
among Buddhist sects, it could be a later sectarian development. In both<br />
cases, Buddhist masters <strong>in</strong> both traditions seem not to have been satisfied<br />
with the orig<strong>in</strong>al etymological def<strong>in</strong>ition.<br />
Search<strong>in</strong>g for these new etymologies of nirvana seems to have started at<br />
the time when the ext<strong>in</strong>ction of the triple fires of passion, hatred <strong>and</strong> delusion<br />
was still used <strong>and</strong> accepted as the def<strong>in</strong>ition of nirvana, while its metaphorical<br />
structure had started to be forgotten. Without an underst<strong>and</strong><strong>in</strong>g of its<br />
metaphorical structure, the orig<strong>in</strong>al def<strong>in</strong>ition of nirvana could not satisfy<br />
later Buddhists, s<strong>in</strong>ce it did not cover all aspects of their highest goal. In the<br />
next chapter, I discuss two most important aspects of nirvana: nirvana with<br />
a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g <strong>and</strong> nirvana without a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g.<br />
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