Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
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THE DOCTRINAL DEVELOPMENT OF NIRVANA<br />
existence of nirvana: ‘because it does not appear <strong>in</strong> that, it [nirvana] is nonappearance’.<br />
167<br />
As expla<strong>in</strong>ed earlier, 168 atthaN paleti <strong>in</strong> the PArAyana stanza is synonymous<br />
with atthaN gacchati or atthaWgama. Although these words usually refer<br />
to ‘annihilation, disappearance’ as opposed to samudaya <strong>and</strong> synonymous<br />
with cessation (nirodha), they can also refer to the sett<strong>in</strong>g of the sun <strong>in</strong> the<br />
sense that it goes to asta, the Sanskrit equivalent of the Pali attha, mean<strong>in</strong>g<br />
‘home, the western mounta<strong>in</strong> beh<strong>in</strong>d which the sun is supposed to set’.<br />
If this literal <strong>in</strong>terpretation of these words is applied to the PArAyana<br />
stanza, it could further mean that the TathAgata after death does not go to<br />
noth<strong>in</strong>g but goes to somewhere, like home or the western mounta<strong>in</strong>, as a<br />
k<strong>in</strong>d of rest<strong>in</strong>g place. Although it is impossible to expla<strong>in</strong> grammatically<br />
how the phrase tam Agamma derived from atthaN paleti or atthaN gacchati,<br />
its literal mean<strong>in</strong>g fits perfectly with the <strong>The</strong>ravad<strong>in</strong>s’ later position on nirvana:<br />
it is the cessation consist<strong>in</strong>g <strong>in</strong> non-aris<strong>in</strong>g <strong>and</strong> exists separately<br />
(pAMiyekka) from the mere destruction of passion, hatred <strong>and</strong> delusion.<br />
In other words, the underly<strong>in</strong>g idea beh<strong>in</strong>d the phrase ‘on com<strong>in</strong>g to this’<br />
(tam Agamma) <strong>in</strong> the Sammohav<strong>in</strong>odanC could have been <strong>in</strong>spired by the<br />
literal mean<strong>in</strong>g of atthaN paleti, which was applied to nirvana without a<br />
rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g (anupAdisesanibbAna) <strong>in</strong> the PArAyaOa stanza.<br />
76