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Metaphor and Literalism in Buddhism: The ... - misterdanger.net

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NIRVANA IN THE THERAVf DA BUDDHIST TRADITION<br />

profound mean<strong>in</strong>g associated with the doctr<strong>in</strong>e of empt<strong>in</strong>ess.’ 63 <strong>The</strong> name<br />

PArAyana, among other names, such as Dharmapada <strong>and</strong> Arthavarga, was<br />

nearly always found <strong>in</strong> lists of such works 64 <strong>and</strong> this could be the reason<br />

why Northern Buddhists hesitated to form a def<strong>in</strong>itive collection of this<br />

k<strong>in</strong>d, as the <strong>The</strong>ravad<strong>in</strong>s did <strong>in</strong> their Pali KhuddakanikAya. That is to say, its<br />

authenticity was not universally accepted among early Indian Buddhists.<br />

<strong>The</strong> Parayana stanza <strong>in</strong> the Suttanipata<br />

<strong>The</strong> text of the PArAyanavagga was about a k<strong>in</strong>d of question time offered by<br />

the Buddha to fifteen young brahmans who were pupils of a renowned<br />

Brahman, Bavari. When Upascva, one of the young Brahmans, asked the<br />

Buddha about the last consciousness of an enlightened one at the f<strong>in</strong>al stage,<br />

the Buddha answered as follows: ‘“Just as a flame is tossed about by the force<br />

of the w<strong>in</strong>d, Upascva”, said the blessed one, “goes out <strong>and</strong> no longer counts<br />

(as a flame), so a sage released from his mental body goes out <strong>and</strong> no longer<br />

counts (as a sage)”.’ 65 Steven Coll<strong>in</strong>s has translated ‘mental body’ (nAmakAya)<br />

as ‘name-<strong>and</strong>-form’ <strong>in</strong> his book Nirvana <strong>and</strong> Other Buddhist Felicities, 66 so<br />

that it is synonymous with nAmarEpa, psycho-physical phenomena. 67 He<br />

seems to translate it as a coord<strong>in</strong>ate (dv<strong>and</strong>va) compound, th<strong>in</strong>k<strong>in</strong>g that, as<br />

long as it is the f<strong>in</strong>al release, it should be the release of an enlightened not<br />

only from his mental category but also from his physical category.<br />

With<strong>in</strong> the early Pali canon, this compound was generally regarded<br />

as a descriptive (karmadhAraya) compound mean<strong>in</strong>g ‘mental category’ as<br />

contrasted with ‘physical category’ (rEpakAya) <strong>in</strong> expla<strong>in</strong><strong>in</strong>g the relationship<br />

between nAmarEpa <strong>and</strong> contact (phassa) <strong>in</strong> dependent orig<strong>in</strong>ation<br />

( paMiccasamuppAda). 68 ‘Mental body’ here seems to mean the category of<br />

name (nAma). To be released from the category of name is the same as be<strong>in</strong>g<br />

released from the category of what is nameable. So this refers to the same as<br />

na upeti saNkhaN: when a sa<strong>in</strong>t dies he cannot be referred to by language or<br />

conceptionalised. Accord<strong>in</strong>g to the Cullaniddesa, an enlightened one at this<br />

stage was already released from his physical category <strong>and</strong> about to be<br />

released from his mental category. <strong>The</strong> commentary expla<strong>in</strong>s this <strong>in</strong> the<br />

follow<strong>in</strong>g way: ‘released from the category of name means the sage who,<br />

already, released from the category of form was elim<strong>in</strong>ated by the ab<strong>and</strong>onment<br />

through the opposite, through pass<strong>in</strong>g beyond <strong>and</strong> through repression’.<br />

69 That is to say, the <strong>The</strong>ravada tradition regards this verse as expla<strong>in</strong><strong>in</strong>g<br />

the f<strong>in</strong>al release of an enlightened one who has already been released from<br />

his physical aspect by meditation. 70 This verse thus expla<strong>in</strong>s nirvana without<br />

a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g through the image of a fire ext<strong>in</strong>guished by the force<br />

of the w<strong>in</strong>d.<br />

However, this fire image could be quite different from the fire image used<br />

<strong>in</strong> the context of the last unanswered question. As we have seen above, a fire<br />

<strong>in</strong> that context goes out through lack of fuel. 71 In order to expla<strong>in</strong> nirvana<br />

61

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