Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
Metaphor and Literalism in Buddhism: The ... - misterdanger.net
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THE DOCTRINAL DEVELOPMENT OF NIRVANA<br />
2<br />
THE TWO NIRVANA THEORY IN<br />
THE EARLY CANON<br />
It is generally accepted that there are two nirvanas <strong>in</strong> early <strong>Buddhism</strong> <strong>and</strong><br />
they are differentiated as nirvana with a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g <strong>and</strong> nirvana<br />
without a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g. <strong>The</strong>re are, however, unsolved problems <strong>in</strong><br />
their descriptions: not only are they spelt differently, sa-upAdisesanibbAnadhAtu<br />
<strong>and</strong> anupAdisesanibbAnadhAtu <strong>in</strong> Pali, as aga<strong>in</strong>st sopadhiUeLanirvAOadhAtu <strong>and</strong><br />
nir/an-upadhiUeLanirvAOadhAtu <strong>in</strong> Buddhist hybrid Sanskrit, 1 but they also have<br />
different mean<strong>in</strong>gs accord<strong>in</strong>g to what the word upAdi, or upadhi <strong>in</strong> Sanskrit,<br />
refers to.<br />
<strong>The</strong> <strong>The</strong>ravada exegetical tradition takes upAdi to refer to ‘the aggregates’<br />
<strong>and</strong> as a consequence the two k<strong>in</strong>ds of nirvana correspond to the two most<br />
important events <strong>in</strong> the Buddha’s life: enlightenment <strong>and</strong> f<strong>in</strong>al liberation at<br />
death. 2 <strong>The</strong> first is expressed as nirvana with a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g <strong>and</strong> is<br />
expla<strong>in</strong>ed as the cessation of defilements (kilesa-par<strong>in</strong>ibbAna). That is to say,<br />
although defilements, such as passion, hatred <strong>and</strong> delusion, have completely<br />
ceased, the aggregates still rema<strong>in</strong> (saupAdisesa). 3 <strong>The</strong> second is expressed as<br />
‘nirvana without a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g’ <strong>and</strong> is expla<strong>in</strong>ed as the cessation<br />
of the aggregates (kh<strong>and</strong>ha-par<strong>in</strong>ibbAna). 4 That is to say, these rema<strong>in</strong><strong>in</strong>g<br />
aggregates cease completely. 5<br />
Figuratively speak<strong>in</strong>g, it is like stopp<strong>in</strong>g a potter’s wheel. <strong>The</strong> potter’s wheel<br />
is spun around by the power of an electric motor. SaupAdisesa is like a wheel<br />
sp<strong>in</strong>n<strong>in</strong>g even after the power is turned off, due to momentum; anupAdisesa<br />
is like the f<strong>in</strong>al stopp<strong>in</strong>g of the wheel because there is no more force left.<br />
By contrast, some of the modern <strong>in</strong>terpretations take upAdi to refer to<br />
‘attachment’. Such scholars as Hermann Oldenberg, 6 A. O. Lovejoy 7 <strong>and</strong><br />
Peter Masefield 8 <strong>in</strong>sisted that upAdi could not orig<strong>in</strong>ally have meant ‘the<br />
aggregates’, s<strong>in</strong>ce the early canon gives another usage of upAdisesa. Not only<br />
is it used <strong>in</strong> describ<strong>in</strong>g the first three of the four noble persons (ariyapuggala), 9<br />
it is also used <strong>in</strong> describ<strong>in</strong>g a pair with perfect knowledge (aññA ), 10 one of<br />
whom is a non-returner (anAgAm<strong>in</strong>) <strong>and</strong> the other a sa<strong>in</strong>t (arahant). 11 Thus,<br />
the state of a non-returner can be expressed as nirvana with a rema<strong>in</strong>der of<br />
cl<strong>in</strong>g<strong>in</strong>g, s<strong>in</strong>ce there still is attachment left (saupAdisesa); whereas the state of<br />
a sa<strong>in</strong>t (arahant) can be expressed as nirvana without a rema<strong>in</strong>der of cl<strong>in</strong>g<strong>in</strong>g,<br />
14