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Three Men in a Boat / Three Men on the Bummel

Three Men in a Boat / Three Men on the Bummel

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— 148 —<br />

wards it <str<strong>on</strong>g>in</str<strong>on</strong>g> a threaten<str<strong>on</strong>g>in</str<strong>on</strong>g>g attitude. It was <strong>on</strong>ly a little kettle, but<br />

it was full of pluck, and it up and spit at him.<br />

“Ah! would ye!” growled M<strong>on</strong>tmorency, show<str<strong>on</strong>g>in</str<strong>on</strong>g>g his teeth;<br />

“I’ll teach ye to cheek a hard-work<str<strong>on</strong>g>in</str<strong>on</strong>g>g, respectable dog; ye miserable,<br />

l<strong>on</strong>g-nosed, dirty-look<str<strong>on</strong>g>in</str<strong>on</strong>g>g scoundrel, ye. Come <strong>on</strong>!”<br />

And he rushed at that poor little kettle, and seized it by <strong>the</strong><br />

spout.<br />

Then, across <strong>the</strong> even<str<strong>on</strong>g>in</str<strong>on</strong>g>g stillness, broke a blood-curdl<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

yelp, and M<strong>on</strong>tmorency left <strong>the</strong> boat, and did a c<strong>on</strong>stituti<strong>on</strong>al<br />

three times round <strong>the</strong> island at <strong>the</strong> rate of thirty-five miles an<br />

hour, stopp<str<strong>on</strong>g>in</str<strong>on</strong>g>g every now and <strong>the</strong>n to bury his nose <str<strong>on</strong>g>in</str<strong>on</strong>g> a bit of<br />

cool mud.<br />

From that day M<strong>on</strong>tmorency regarded <strong>the</strong> kettle with a mixture<br />

of awe, suspici<strong>on</strong>, and hate. Whenever he saw it he would<br />

growl and back at a rapid rate, with his tail shut down, and <strong>the</strong><br />

moment it was put up<strong>on</strong> <strong>the</strong> stove he would promptly climb<br />

out of <strong>the</strong> boat, and sit <strong>on</strong> <strong>the</strong> bank, till <strong>the</strong> whole tea bus<str<strong>on</strong>g>in</str<strong>on</strong>g>ess<br />

was over.<br />

George got out his banjo after supper, and wanted to play<br />

it, but Harris objected: he said he had got a headache, and did<br />

not feel str<strong>on</strong>g enough to stand it. George thought <strong>the</strong> music<br />

might do him good — said music often soo<strong>the</strong>d <strong>the</strong> nerves and<br />

took away a headache; and he twanged two or three notes, just<br />

to show Harris what it was like.<br />

Harris said he would ra<strong>the</strong>r have <strong>the</strong> headache.<br />

George has never learned to play <strong>the</strong> banjo to this day. He<br />

has had too much all-round discouragement to meet. He tried<br />

<strong>on</strong> two or three even<str<strong>on</strong>g>in</str<strong>on</strong>g>gs, while we were up <strong>the</strong> river, to get a<br />

little practice, but it was never a success. Harris’s language used<br />

to be enough to unnerve any man; added to which, M<strong>on</strong>tmorency<br />

would sit and howl steadily, right through <strong>the</strong> performance.<br />

It was not giv<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>the</strong> man a fair chance.<br />

“What’s he want to howl like that for when I’m play<str<strong>on</strong>g>in</str<strong>on</strong>g>g?”<br />

George would exclaim <str<strong>on</strong>g>in</str<strong>on</strong>g>dignantly, while tak<str<strong>on</strong>g>in</str<strong>on</strong>g>g aim at him<br />

with a boot.<br />

“What do you want to play like that for when he is howl-

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