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Three Men in a Boat / Three Men on the Bummel

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— 80 —<br />

it was so funny that, when Herr Slossenn Boschen had sung it<br />

<strong>on</strong>ce before <strong>the</strong> German Emperor, he (<strong>the</strong> German Emperor)<br />

had had to be carried off to bed.<br />

They said nobody could s<str<strong>on</strong>g>in</str<strong>on</strong>g>g it like Herr Slossenn Boschen;<br />

he was so <str<strong>on</strong>g>in</str<strong>on</strong>g>tensely serious all through it that you might fancy<br />

he was recit<str<strong>on</strong>g>in</str<strong>on</strong>g>g a tragedy, and that, of course, made it all <strong>the</strong><br />

funnier. They said he never <strong>on</strong>ce suggested by his t<strong>on</strong>e or manner<br />

that he was s<str<strong>on</strong>g>in</str<strong>on</strong>g>g<str<strong>on</strong>g>in</str<strong>on</strong>g>g anyth<str<strong>on</strong>g>in</str<strong>on</strong>g>g funny — that would spoil it.<br />

It was his air of seriousness, almost of pathos, that made it so<br />

irresistibly amus<str<strong>on</strong>g>in</str<strong>on</strong>g>g.<br />

We said we yearned to hear it, that we wanted a good<br />

laugh; and <strong>the</strong>y went downstairs, and fetched Herr Slossenn<br />

Boschen.<br />

He appeared to be quite pleased to s<str<strong>on</strong>g>in</str<strong>on</strong>g>g it, for he came up at<br />

<strong>on</strong>ce, and sat down to <strong>the</strong> piano without ano<strong>the</strong>r word.<br />

“Oh, it will amuse you. You will laugh,” whispered <strong>the</strong> two<br />

young men, as <strong>the</strong>y passed through <strong>the</strong> room, and took up an<br />

unobtrusive positi<strong>on</strong> beh<str<strong>on</strong>g>in</str<strong>on</strong>g>d <strong>the</strong> Professor’s back.<br />

Herr Slossenn Boschen accompanied himself. The prelude<br />

did not suggest a comic s<strong>on</strong>g exactly. It was a weird, soulful<br />

air. It quite made <strong>on</strong>e’s flesh creep; but we murmured to <strong>on</strong>e<br />

ano<strong>the</strong>r that it was <strong>the</strong> German method, and prepared to enjoy<br />

it.<br />

I d<strong>on</strong>’t understand German myself. I learned it at school, but<br />

forgot every word of it two years after I had left, and have felt<br />

much better ever s<str<strong>on</strong>g>in</str<strong>on</strong>g>ce. Still, I did not want <strong>the</strong> people <strong>the</strong>re to<br />

guess my ignorance; so I hit up<strong>on</strong> what I thought to be ra<strong>the</strong>r<br />

a good idea. I kept my eye <strong>on</strong> <strong>the</strong> two young students, and followed<br />

<strong>the</strong>m. When <strong>the</strong>y tittered, I tittered; when <strong>the</strong>y roared,<br />

I roared; and I also threw <str<strong>on</strong>g>in</str<strong>on</strong>g> a little snigger all by myself now<br />

and <strong>the</strong>n, as if I had seen a bit of humour that had escaped <strong>the</strong><br />

o<strong>the</strong>rs. I c<strong>on</strong>sidered this particularly artful <strong>on</strong> my part.<br />

I noticed, as <strong>the</strong> s<strong>on</strong>g progressed, that a good many o<strong>the</strong>r<br />

people seemed to have <strong>the</strong>ir eye fixed <strong>on</strong> <strong>the</strong> two young men,<br />

as well as myself. These o<strong>the</strong>r people also tittered when <strong>the</strong><br />

young men tittered, and roared when <strong>the</strong> young men roared;

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