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Digital Prints

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2<br />

Understanding<br />

<strong>Digital</strong> Printing<br />

At its core, digital printing is simple. A binary data stream drives a print engine to render<br />

a digital image on an output device. End of story? Not quite. Like any production process,<br />

digital printing requires the right tools and the right information to make the right choices.<br />

Let’s begin at the beginning.<br />

A <strong>Digital</strong> Primer<br />

Photographers and artists are all, basically, image makers, so let’s start by looking inside a<br />

digital image.<br />

Anatomy of a <strong>Digital</strong> Image<br />

First things first. Ninety-five percent of all the images that photographers and artists end<br />

up printing digitally are binary images, also called raster images, also called pixel-based<br />

images, also called bitmaps. Confused yet? The term bitmap itself sends some people running<br />

for shelter. One reason is because Adobe Photoshop, considered the top imageediting<br />

software program, has a mode option called “bitmap” that converts an image into<br />

the crudest (1-bit per pixel) form. That’s unfortunate because there’s a lot more to bitmaps<br />

than that. In fact, bitmaps are the key to the Chamber of Secrets of digital printing.<br />

To put it simply, a bitmapped image is a collection of pixels (picture elements) arranged<br />

on a rectangular grid (it’s a map of a bunch of bits); see Figure 2.1. Each pixel can be<br />

described or “quantized” in terms of its color and its intensity or value. The more pixels<br />

there are and/or the more the depth of information per pixel, the more binary digits (the<br />

little ones and zeros that the computer understands) there are, and the more detailed the<br />

image (see “Pixels and Bit Depth” for more about this).

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