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it is not. In the context of color management, calibration means changing the printer’s<br />

behavior to bring it into a predictable state where ink densities and tonal values are known<br />

and stable. In order to get accurate color and to take advantage of color management (and<br />

to make the profiles I’ll be describing next), a printer has to be consistent in its output,<br />

and calibration forces it to be that.<br />

While many high-end digital printers (usually working in conjunction with equally highend<br />

RIPs) offer printer calibration with the use of on-board densitometers or spectrophotometers,<br />

many inkjets do not have a built-in form of calibration. Notable exceptions are<br />

the more commercial, large-format printers from ColorSpan, Encad, and HP.<br />

One of the few desktop inkjets to offer this function is the HP Designjet 30/130 inkjet<br />

printer, which has its own automatic, closed-loop color calibration procedure. What happens<br />

first is that a test pattern is output by the printer. After allowing the ink to dry for a<br />

short time, the printed page is fed back into the printer and analyzed automatically by a<br />

built-in optical sensor. The sensor measures the different color patches, and correction<br />

curves are created that will then alter the output of the printer and bring it back to its predetermined<br />

base point.<br />

Another way to calibrate<br />

a printer is by using a<br />

RIP that provides this<br />

calibration function in<br />

conjunction with a measuring<br />

device. Two popular<br />

such RIPs geared to<br />

photographer-artists are<br />

StudioPrint (by ErgoSoft,<br />

PC only) and ImagePrint<br />

(by ColorByte), and both<br />

have calibration features<br />

(see “Linearization” box).<br />

(For more about RIPs,<br />

see Chapter 11.)<br />

A final thing to do with<br />

any printer that cannot<br />

be calibrated is simply to<br />

re-profile it if colors start<br />

to drift or look wrong. This is what Epson suggests for its desktops, even for the higherend<br />

Stylus Pro 4000 (the larger-format 7600, 9600, and 10600 use optional RIPs that can<br />

be calibrated or the Epson Color Calibrator).<br />

Is not being able to calibrate a printer a major issue? It depends on your tolerance for variability.<br />

It’s more important for printers that are used for proofing and press emulation<br />

where there’s no room for color error. For normal bitmap-image printing with inkjets, it<br />

may not be as vital, but it’s still desirable.<br />

Chapter 4 ■ Understanding and Managing Color 133<br />

The HP Designjet 30/130 is one of the<br />

only desktop inkjets with built-in color<br />

calibration. Note how the process<br />

calibrates for a specific paper type and<br />

print quality.

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