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Digital Prints

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Step 7: Shipping and Storing<br />

The job is not complete until the prints arrive at their destination, safe and sound. Unless<br />

an artist can physically go to the printmaker’s place of business for a pick-up, most prints<br />

are rolled and shipped in tubes, although they can be shipped flat, too. A good printmaker<br />

will use only the strongest tubes with plenty of slip-sheeting and end-stuffing to protect<br />

each print. There’s nothing worse than to have otherwise-perfect prints ruined in shipping.<br />

It’s happened to me, and that’s why I always insist on the use of overnight air shipping.<br />

It’s worth the extra expense.<br />

If files or prints are to be stored or “archived” at the printmaker’s shop instead of being returned<br />

to the imagemaker, make sure you understand the storage policies and costs involved.<br />

Working with Non-Inkjet Providers<br />

Many of the larger print providers now combine both inkjet and non-inkjet output at one<br />

facility to cover an evolving market for digital imaging and printing. Companies like<br />

Calypso Imaging (Santa Clara, California), <strong>Digital</strong> Pond (San Francisco), Duggal Visual<br />

Chapter 10 ■ Using a Print Service 329<br />

John Hughs trims inkjet prints at<br />

Adamson Editions in Washington, D.C.<br />

Courtesy of David Adamson<br />

www.adamsoneditions.com

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