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Digital Prints

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94<br />

Mastering <strong>Digital</strong> Printing<br />

While the debate continues over whether film or digital is better for the highest-quality<br />

imaging and printing (many feel that digital equals or exceeds 35mm quality but film still<br />

wins in larger formats), capturing images with either a digital-capable camera or a digital<br />

camera back continues as a growing trend.<br />

What You Need to Know about <strong>Digital</strong> Cameras<br />

Using lenses to focus light and create an image in the same way film cameras do, digital<br />

cameras or “digicams” are basically little scanners, and all the things we’ve learned about<br />

pixels, file sizes, and resolution apply here equally as well (i.e., more is better). The main<br />

difference is that the cameras in this category are primarily “area array” devices. A single,<br />

light-sensitive sensor (CCD or CMOS), which is made up of tiny elements in a checkerboard<br />

or mosaic pattern that are individually coated to be sensitive to red, green, or blue<br />

light, is exposed through a lens to the light reflecting off the subject. The camera converts<br />

the analog signal into binary information, and bingo, you have a digital file.<br />

Everyone thought that the revolutionary Foveon X3 image sensor (introduced in 2002)<br />

would change the digital camera industry forever, but with only Sigma and more recently<br />

Polaroid offering Foveon sensors in their cameras, it just hasn’t happened (yet). Instead of<br />

sensing elements that capture only one color at a time, each Foveon chip has three photo<br />

detector layers to capture a different color—one each for red, green, and blue (see Figure<br />

3.12). As a light ray sinks into the sensor, first blue, then green, then red is absorbed. So,<br />

what’s the big deal? The resulting image can be sharper and with higher resolution.<br />

Digicams come in myriad styles and types. Pick up a photography magazine or walk into<br />

any camera store, and you’ll see that there are point-and-shoots, “prosumer,” professional,<br />

and studio cameras for every possible use and occasion. They are usually categorized and<br />

marketed by their maximum number of recorded pixels, e.g., 2048 × 1536 (that’s horizontal<br />

by vertical). This is the advertised CCD resolution, which is arrived at by simply multiplying<br />

the two numbers together and rounding off to the closest million-pixel decimal. For<br />

example, 2560 × 1920 pixels equals 4.9 or just 5 Megapixels (abbreviated as 5 MP).<br />

A 5-MP camera is considered to be the minimum for capturing images that can yield<br />

decent quality at moderate print dimensions. Consider a 5.1-Megapixel camera like the<br />

Nikon Coolpix 5700 that has a maximum resolution of 2592 × 1944 pixels. An opened<br />

Figure 3.12 Two digital camera sensor<br />

technologies—left: a small 2 Megapixel<br />

CCD sensor and a simulated area array<br />

pattern of the individual elements; right:<br />

the newer Foveon X3 layered chip.<br />

right: © 1998-2002 Foveon, Inc.

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